Big Money (Bengie Molina) Quotes
We're baseball players. We don't need guys telling us, 'Hey, you need to hurry. Hey, you need to do this. Hey, you need to step up.' We are professionals, we can do that without anybody telling us. I'm OK with it, but we need to do it on our own.
Quotes to Explore
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Daniel was a wonderful and trustworthy partner. And a fine prankster as well.
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Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
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Who cares and remembers if my last film was a success? I need to work harder.
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I love cycling.
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We never left a set until we'd trashed it.
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I prefer to believe it's my responsibility if a film of mine works or doesn't work.
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Almost everyone thinks they are a good person, but the question you should be asking is, am I good enough to go to Heaven? How would you know?
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Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.
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I had cooked a lot in restaurants, in Rocky Point and on golf courses on Long Island, and my mother said, 'Be a chef,' and my dad said, 'Be a lawyer.' But instead, I auditioned for N.Y.U.'s Tisch School of the Arts.
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Never think that lack of variability is stability. Don't confuse lack of volatility with stability, ever.
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I like to add something unusual to a dish.
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It seems like women are always told, 'It is not your time.'
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I've gone to school for business, for design, for architecture.
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Time is the fairest and toughest judge.
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I'm lucky to attribute my success to the foundation my family gave me. I've always felt grounded in them.
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I didn't have a financial need, and I wasn't very gifted at relationships. I probably was more like what we think of boys as being: hard to pin down and wary of commitment.
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Indeed, this epistemological theory of the relation between theory and experiment differs sharply from the epistemological theory of naive falsificationism.
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To me, cinema is not a movie or a TV screen, and it's not a seat in a building versus one in your living room. It's the art of motion pictures.
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What then is time? If no one asks me, I know what it is. If I wish to explain it to him who asks, I do not know.
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Part of it has to do with this business of being approached in public. I have a distinctive look - it's partly the glasses I wear - and people seem to remember me once they've seen me.
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To make theater out of real life, you need to catch dialogue when it happens.
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You need to try to master the ability to feel sad without actually being sad.
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We're baseball players. We don't need guys telling us, 'Hey, you need to hurry. Hey, you need to do this. Hey, you need to step up.' We are professionals, we can do that without anybody telling us. I'm OK with it, but we need to do it on our own.
