Benito Perez Galdos Quotes
Another circumstance of note was the fact that they never spoke about the past: that particular novel, they both seemed to agree, was over and done with, doubtless because it seemed so improbable and false, rather like the books we were mad about in our youth and which, in our maturity, seem somewhat paltry.
Quotes to Explore
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The books that the world calls immoral are books that show the world its own shame.
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I read books. Remember those? I read them, on paper.
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I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family – poor, in fact.
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Some books are undeservedly forgotten; none are undeservedly remembered.
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Books are the heart of any home, and I spend hours going through books for design inspiration.
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I love books about treks and journeys into the unknown.
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Age is relative. Experience is relative. And I think often intensity is confused with maturity.
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I steer clear of books with ugly covers. And ones that are touted as 'sweeping,' 'tender' or 'universal.'
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To say that we mutually agree to coercion is not to say that we are required to enjoy it, or even to pretend we enjoy it.
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My books are character-driven. They're not driven by the story.
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I'm a big reader, so when I was in 'Pride and Prejudice,' or, like, in Poirots and Marples, those are all books that I loved, and so it was really exciting for me to inhabit characters from literature that I knew and recognized.
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May books spread the world over!
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Books are an ancient and proven medium. Their physical form inspires passion.
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When your maturity is derived from circumstantial factors other than faith, your level of maturity would continue to fluctuate rather than being stable. This is why I am enabled to maintain a balance and stable approach to the challenges that come my way every day. I am not moved by what people say or do concerning my relationship with God.
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I have great admiration for the fact – checking team. Considering it takes me years to gather all the facts in my books, it's a daunting task for the fact – checkers to review all of that material in a matter of weeks.
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I don't write books inadvertently.
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It meant something to see people who looked like me in comic books. It was this beautiful place that I felt pop culture should look like.
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Twitter is fun because it lets me stay in touch with all my original readers who grew up with my books. I love hearing from readers instantly on Twitter.
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One of the signs of passing youth is the birth of a sense of fellowship with other human beings as we take our place among them.
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I'm always afraid, because I do most of my stuff at home, where nobody bothers me, and I don't have to stroke somebody's ego or be careful about hurting someone's feelings. But I also want to know that I can still go into the world and be with other people and make music.
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We don't want to act like adults. Anybody who can stay in a state of adolescence will be much better off later on. Look at people who are working nine-to-five jobs out of college, and look at professional skateboarders or guys in punk bands. See who's having more fun.
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I'm grateful for the likes of Kundera, Murnane, Markson, Berger, and, in his recent work, Coetzee. But no matter how celebrated they are, critics still consider them askance. Elizabeth Costello, for example, is a great novel, but it got quite a critical panning when it was published. The complaint was that it was simply a book of speeches, without the machinery of conventional fiction. Markson's books are compilations of facts and alleged facts, very artfully.
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Another circumstance of note was the fact that they never spoke about the past: that particular novel, they both seemed to agree, was over and done with, doubtless because it seemed so improbable and false, rather like the books we were mad about in our youth and which, in our maturity, seem somewhat paltry.
