Benjamin Alire Saenz Quotes
Mima was like the tree. In this desert where I’d grown up, Mima had shaded me from the sun. She was a tree. How would I live without that tree?
Quotes to Explore
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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Businesses fail when they over-invest in what is at the expense of what could be.
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Don't hate me for what tabloids write about me, because I guarantee it's a lie.
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Don't depend on other people to be responsible for you. Don't make yourself stressed out over nonsensical things like material things.
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When you see violence in movies in general, it's very quick and painless, which isn't what it's like.
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Like any small business owner, I experienced the pressures of building a company from the ground up - developing a business plan, balancing the books, meeting payroll and building a customer base.
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I have a fat head – I get freaked-out looking at pictures of me.
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Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.
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I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
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I've done a lot of things in my life.
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I began as a model, but that did not really hold my interest for too long! I believe I stood out from the parade of models trying to make it in Hollywood, which helped launch my career beyond the one-night-stand horror movie.
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What's happened to broadcasting is that broadcasting really used to be... it used to have a very clear public service quotient. And it's more or less now. And it's been lost.
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As long as humans have existed, we have always desired to live longer. Every society, every religion, every culture. Of course, they all failed at dramatic life extension.
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I was kind of excited about going to jail the first time and I learnt some great dialogue.
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The Marxist philosophy of dialectical materialism has two outstanding characteristics. One is its class nature: it openly avows that dialectical materialism is in the service of the proletariat. The other is its practicality: it emphasizes the dependence of theory on practice, emphasizes that theory is based on practice and in turn serves practice.
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I have never admitted that I am more than twenty-nine, or thirty at the most. Twenty-nine when there are pink shades, thirty when there are not.
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'There’s nothing to fear, Lebannen,' he said gently, mockingly. 'They were only the dead.'
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Our family are an alternate stratification of poetry and mathematics.
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I've always believed that you can think positive just as well as you can think negative.
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What if I was! That’s my point. What if I was a bit overweight and not especially pretty? Why is that so terrible? So disgusting? Why is that the end of the world?
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As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.
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I am looking forwardto become humus myselfburied naked without coffinunder a beech tree planted by myselfon my land in ao tea roa. p6
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It is the work of the Canadian artist to paint or play or write in such a way that life will be enlarged for himself and his fellow man. The painter will look around him . . . and finding everything good, will strive to communicate that feeling through a portrayal of the essentials of sunlight, or snow, or tree or tragic cloud, or human face, according to his power and individuality.
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Mima was like the tree. In this desert where I’d grown up, Mima had shaded me from the sun. She was a tree. How would I live without that tree?
