Vanessa Redgrave Quotes
Quotes to Explore
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I don't think people are ever going to a place where they're like, 'I'm over stories about character and love.'
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The inspections started in 1991, right after the Gulf War. One of the conditions for the ceasefire was that Iraq had to do away with all of its weapons of mass destruction - biological, chemical and nuclear weapons and long-range missiles.
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I seriously object to seeing on the screen what belongs in the bedroom.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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Buddhist practices offer a way of saying, 'Hey, come back over here, reconnect.' The only way that you'll actually wake up and have some freedom is if you have the capacity and courage to stay with the vulnerability and the discomfort.
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'Obvious' is the most dangerous word in mathematics.
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Ninety percent of the comic books I've written in the past had little or nothing to do with Islam.
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I have always been an avid reader of chemical literature, eager for what is new.
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I love my headscarf. I wear my head wrap every day with my hoop earrings.
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Great talents are the most lovely and often the most dangerous fruits on the tree of humanity. They hang upon the most slender twigs that are easily snapped off.
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Words should have the power to inform and to move, not the power to send people scurrying away. But if you attach that much emotional energy to a word, it gives people the power to hurt each other.
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I loved fairy tales as a kid, so that's where my mind gravitates.
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When people arrive at El Bulli, everybody goes through the kitchen. It's a way of making them feel at home. When they leave, the only thing I ask is whether they've been happy. Everything in between, I don't particularly care.
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I'm a big fan of Katy Perry.
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If it's a good song, it's a good song. I'll take it.
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What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
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I was considered an ugly duckling.
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One thing I can say about the French language is that no one in the world loves their language as much as they do. It doesn't matter if you're close - it still sounds terrible to their ears.
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At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past.
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I had to quit ballet because it felt like a part of me was dying inside.
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Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
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The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location.
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When the party gives me a responsibility, I must do it with complete dedication. God has given me the ability, which I utilise to its optimum.
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Ask the right questions if you're to find the right answers.
