Keinan Abdi Warsame (K'naan) Quotes
The problem is that rap is so often a caricature of its own image. Nobody comes to the table with the seriousness of the effect that it can have; nobody is prepared for that.
Quotes to Explore
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Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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Nobody deserves this much money - certainly not an actor.
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In a completely integrated unit where you'd have white soldiers, particularly from southern states, serving under black noncommissioned officers or officers... I think you would have a problem definitely.
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Nobody ever went broke underestimating the taste of the American public.
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Nobody's going to give you everything on a silver tray. It's going to be difficult.
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I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.
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There are lots of actors who are awful people, but nobody talks about them being awful because they've made billions.
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The problem, when comparing contemporary television to television in 1974, is that TV has become not just bad but sad.
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The best way to resolve any problem in the human world is for all sides to sit down and talk.
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It's odd that you can get so anesthetized by your own pain or your own problem that you don't quite fully share the hell of someone close to you.
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If you only have a hammer, you tend to see every problem as a nail.
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When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'
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Every true, eternal problem is an equally true, eternal fault; every answer an atonement, every realisation an improvement.
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What we can afford least is to define the problem of future war as we would like it to be and, by doing so, introduce into our defense vulnerabilities based on self-delusion.
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I think this is really a defining moment for the Arab world. The problem is, it is all going to be about blood, sweat and tears. In certain countries it may be just sweat, and in some countries sweat and tears, and in some countries, as you can see, a lot of blood. I think initial instability is something that we are all extremely nervous of.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
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It's amazing how the biggest things in our lives - when we're around the fireplace and talking about them when we're older - the things that matter the most to us start off amazingly small and in a humble way.
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I think my favorite thing is songwriting.
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The tears of the world are a constant quality. For each one who begins to weep, somewhere else another stops. The same is true of the laugh.
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In 2009, I didn't like that Yamaha signed such a young and competitive teammate [Jorge Lorenzo]. But now everything is different. We are more mature. Everyone knows his role and position. Things are clear.
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The problem is that rap is so often a caricature of its own image. Nobody comes to the table with the seriousness of the effect that it can have; nobody is prepared for that.
