Maira Kalman Quotes
You'd have to be completely crazy not to be influenced by and take from other artists. It's completely impossible not to.
Quotes to Explore
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The pop-star thing bores me because it's somebody programming someone else. Stand over here, sing that, no, sing it like this, talk like that, when they ask you this, don't say that, say this, hold that, drive this, stay here, live there - you're not even a human being. You're a puppet.
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I always come to conclusions very fast. Well, that is one way of thinking, and the other way would be that I lack the necessary perseverance to stick to one thing that really fits me. I don't know if it's a good thing or bad thing.
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I honestly can't describe what goes on in my head when I'm out there. People who don't wrestle can't possibly understand it. When I'm in the ring, I don't feel any pain. I'm in another world out there.
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Football is good, but family, close friends, my brothers - I have family everywhere - is the most important thing.
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First of all, I try to be a positive role model.
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A great painting is a great painting.
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You will die but the carbon will not; its career does not end with you. It will return to the soil, and there a plant may take it up again in time, sending it once more on a cycle of plant and animal life.
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Many people focus on my power and talk about my power, but I have many more qualities in the ring. I like to surprise everyone.
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Crime and the fear of crime have permeated the fabric of American life.
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We all need ways to express ourselves, and poetry is one of mine.
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'The Road' is about that fear that all parents can have. What's going to happen to your child if you're not around? It takes those concerns to an extreme. In the film, without me the boy has no food, no shelter, no resources at all.
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The three-thousand hitting thing was the first time I let individual pressure get to me. I was uptight about it. When I saw the hit going through, I had a sigh of relief more than anything.
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'Encyclopedia Brown Takes the Case,' 'The Secret of the Old Clock,' 'Are You There God, It's Me, Margaret,' 'Flowers in the Attic,' 'Gone With the Wind' - these are the books that defined my childhood. They thrilled me. They made me feel like I wasn't alone in the world.
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Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.
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My mom is incredibly stylish, and she gets it from my grandmother. I feel like I can't live up to how chic they are as women. They are great role models for aging gracefully, and that's a thing that is very key that I try to always emulate.
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I went around Coimbatore quite often while I was shooting for Velayudham. It's a fascinating place with a lot of energy.
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I guess I have a certain willingness for audacity.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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I've been fortunate. I've worked in a lot of things where I had those kinds of experiences with actors who were perceived as very macho guys, everybody from Lee Marvin to Charlie Bronson to Harrison Ford to Robert Shaw.
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When you deal with change, you have a couple choices: you can lead it and make the rules, or you can be a fast follower, or you can be a slow follower.
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You either make dust or eat dust.
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The words of truth are always paradoxical.
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That's what we were exploring on 'Larry Sanders' - the human qualities that have brought us to where we are now in the world: the addiction to needing more and wanting more and talking more. We were examining the labels put on success - is it successful to be on TV every day, to be famous, to have a paycheck?
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You'd have to be completely crazy not to be influenced by and take from other artists. It's completely impossible not to.
