Edna St. Vincent Millay Quotes
Quotes to Explore
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I love Johnny Cash but I don't love country music that much.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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I'm going to put music out when I feel like it's ready.
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I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.
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Sports without music is just a game. Music makes it entertaining.
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Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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My sound is, at its core, a mix of things. Definitely an imperfect mix, but one that incorporates elements of the music I love - a bit of indie rock, super rhythmic rapping, and lots of synths.
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One movie is only one movie. I want to have a lifetime of making films.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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The only rule is there's only one rule: no rules.
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Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
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I think right now the way society's going, I think role models are important, and kids need direction. If I didn't have that direction growing up, who knows what I could be doing, because I've been lost many times in my life, and I've had to have someone guide me back on the right path.
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We all should be concerned if our kids don't know who Sandra Day O'Connor, John Adams, and Ronald Reagan are.
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The great questions are those an intelligent child asks and, getting no answers, stops asking.
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Nice is the worst word.
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Music my rampart, and my only one.
