Richard Feynman Quotes
Quotes to Explore
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In Europe, we will work towards having a common stance, while in France, we will strengthen our protection for asylum seekers whose lives are in danger because of their sexual orientation.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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I go out there and train as hard as anybody else.
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For my own part, I had rather suffer any inconvenience from having to work occasionally in chambers and kitchen... than witness the subservience in which the menial class is held in Europe.
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I was so worried when I left 'GH:' so scared I'd never work again.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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My CIA colleagues were smart, dedicated, funny, and creative. Yes, there was sometimes stifling bureaucracy, boredom, colleagues who never should have been there, and later, deeply disturbing stories of the CIA's involvement in torture. Still, I got to do work I thought was incredibly important and, many times, had fun doing it.
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I want to play in as many theatres as possible, work with as many brilliant people as possible, but definitely do a new play.
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Make the hard ones look easy and the easy ones look hard.
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The Hoosier way is quite simple - we work hard, and we live within our means.
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When I was growing up, my white friends would call me: 'Hey, Chief!' Even when I go to work now, people call me 'Chief.'
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There is one common thing in superstars - enthusiasm and humility towards their work. Off sets, they are big stars for others, and they carry themselves the way they want to. When they are working, they are not stars.
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I said three things when I woke up in Walter Reed. 'I love you.' 'Put me to work,' and 'You stink! Go shower!'
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I've always had a chip on my shoulder. It kind of drives me. It's something that allows me to train harder, train longer, work better.
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Our work is never over.
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I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
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With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
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As a black and as a woman, I didn't think that I would really want to live in any of the eras before this, because I would inevitably be worse off. I would have spent more time struggling just to prove I was human than doing my work.
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If Selma taught us anything, it’s that our work is never done. The American experiment in self-government gives work and purpose to each generation.
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I really loved what I was doing being creative and being funny as a stand-up comedian.
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I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
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My dream was to set up my own e-commerce company. In 1999, I gathered 18 people in my apartment and spoke to them for two hours about my vision. Everyone put their money on the table, and that got us $60,000 to start Alibaba. I wanted to have a global company, so I chose a global name.
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It's difficult to do that internally, because you're flying five, six hours.
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Work hard to find something that fascinates you.
