Camara Laye Quotes
All dancers have a cumulative tendency, because each beat of the tom-tom has an almost irresistible appeal. Soon, those who were just spectators would dance too.
Quotes to Explore
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I did community theater in Georgia and called myself a ballet dancer.
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I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.
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Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.
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I was a street dancer.
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Ballet is the fairies' baseball.
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The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
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I grew up in the theater and danced ballet atrociously.
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I grew up studying dance, taking ballet lessons.
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I can remember being very keen to go to drama school at the age of eight, and practising ballet in my bedroom to Queen soundtracks.
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I had a really creative teacher at primary school. He used to get us doing things such as singing Spandau Ballet in drag in the choir, and I remember loving it.
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I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.
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I was raised with a lot of classical music. I loved ballet. I was a bun head for 10 years.
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Up until I was about 12, I was a ballet dancer and a basketball player.
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I just realized I wanted to do more than ballet. I was offered an apprenticeship, so I was about to join a company and drop out of high school, and then it hit me: I didn't want that anymore.
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If you grow up saying, 'I want to be a lawyer,' everyone says, 'Let's give her everything she needs to be a lawyer.' But if you say 'I want to be an artist or a dancer or a painter,' it's, 'Oh, she'll grow out of it.'
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I've been interested in art and fashion for as long as I can remember because they are so visual. I am fascinated by the idea of visual creation from the ground up, which is a challenge in ballet when the audience has seen every show of yours, every other principal that you've shared a role with, and every different production.
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Ballet needs figures that people can recognize and relate to. People don't know ballet dancers as well as they know other artists.
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I had to try to understand how much of a taboo it was. My mum worked in ballet and theatre when she was younger, and I had been brought up around lots of gay people, so I had never had any issue and couldn't imagine how hard it was to be out.
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Our aim is to appeal to reason. … Prayer is not one of our remedies; it depends on what one is praying for. We consider prayer nothing more than a fervent wish; consequently the merit and worth of a prayer depend upon what the fervent wish is.
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It is a luxury to do something that serves no practical purpose: the luxury of civilization.
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All dancers have a cumulative tendency, because each beat of the tom-tom has an almost irresistible appeal. Soon, those who were just spectators would dance too.
