Camille Henrot Quotes
Quotes to Explore
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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The United States should not engage in tit-for-tat polemics directed at its most important allies. That is as demeaning as it is destructive.
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Teach For America would not be able to continue recruiting and developing an ever-more diverse and impactful group of corps members and alumni if the nation's leading colleges become even less diverse.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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Well, first I have to make the team, of course.
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Know what suits you. Now I understand proportion and recognise the shapes that look good on my figure.
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Throughout history, the only way to secure a throne has been with a phalanx of children - nine for Victoria, 13 for George III.
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The whole world is a man's birthplace.
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Most people looking for dinosaurs are looking for beautiful skeletons.
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I was born in California. When I was six, we moved to a small town in northern Indiana called Mishawaka.
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You're supposed to be using your gifts and fulfilling your dreams, at every age.
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The place was crawling with youngsters. It was good, because the kids were good. I can't make a general assumption. Again, you're probably getting, as a general theme from me, that I don't make a lot of broad, sweeping rules about movies.
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Treat those who are good with goodness, and also treat those who are not good with goodness. Thus goodness is attained. Be honest to those who are honest, and be also honest to those who are not honest. Thus honesty is attained.
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All of my judges will want to welcome every child into the world, give them a place at the table.
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You know, I think in the world of creativity there will always be risk. Whatever you do. Because creativity is something that is very personal, very individual. I may think that I am doing something great, you may not think that or the public outside may not think that, and you have an opinion.
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I just want to keep finding special characters that I feel like I can bring to life and characters that are real and not superficial.
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There have been a few times when I've read a script and it's really cool but the girl character's just kind of pathetic. It's not going to do me any favours just being 'the girl' in a cool movie.
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If there is such a thing as 'a Cukor style,' I guess it arises out of two principal factors: my own personalized perception of the world and my ability to deal professionally with actors. As far as perception is concerned, I always try to imagine settings through the best possible eyes.
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We, as band, always positioned ourselves between art and entertainment, which often works against us - Fischerspooner is between business models. Art is about limiting access to the product to create value, and entertainment is about dispersing it. We've put ourselves in a position where, if we reach conceptual perfection, it's career suicide.
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I'm absolutely compelled for NASA to send international astronauts to Mars to find out if Mars ever harbored life.
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Religion is in every aspect of art, when it's not baroque.
