Eddie Condon Quotes
[Louis Armstrong] could play a trumpet like nobody else, then put it down and sing a song like no one else could.
Quotes to Explore
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I was taught to play that way when I was in high school and even before I got to high school.
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Study first, play afterwards.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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'Paper Planes' was an accident. It wasn't a song we made for the masses. It took two years to get popular, and there were many fights about censoring the gunshot sounds.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Some days I wouldn't even go to class. I'd sit in the room and play video games with my friends and eat powdered mashed potatoes.
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Toil without song is like a weary journey without an end.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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Julie Andrews is so iconic, and I grew up watching 'The Sound of Music' - it's every girl's dream to play Maria, in a way, I think. That music!
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When I'm making a song, I try not to think about audience or genres. It's free-flowing. Natural.
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Conscience. That stuff can drive you nuts.
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Love is fragile -- she was thinking -- but perhaps the pieces are saved, the things that hovered on lips, that might have been said. The new love-words, the tenderness learned, and treasured up for the next lover.
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Geniuses come in many shapes and colors, and they often run in packs. If you can find one, it may lead you to others. Collaborate with geniuses. Send them your spells. Look carefully at theirs. What could you do together? Combination is creation.
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Verjuice may not be the easiest thing in the world to find, but you should be able to track some down in good delis and online.
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[Louis Armstrong] could play a trumpet like nobody else, then put it down and sing a song like no one else could.
