Richard Russo Quotes
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What does it feel like to be a parent? What does it feel like to be a child? And that's what stories do. They bring you there. They offer a dramatic explanation, which is always different from an expository explanation.
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I think that if people are instructed about anything, it should be about the nature of cruelty. And about why people behave so cruelly to each other. And what kind of satisfactions they derive from it. And why there is always a cost, and a price to be paid.
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HBO is really famous for hiring good people and staying out of their way until they ask for help, or need it. And that reputation is earned.
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I think the darker aspect of my fiction-or anybody's fiction-is by its very nature somehow easier to talk about.
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When I look back over my novels what I find is that when I think I'm finished with a theme, I'm generally not. And usually themes will recur from novel to novel in odd, new guises.
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I can be glib and truthful all at once.
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Structure is one of the things that I always hope will reveal itself to me.
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I read pretty voraciously. If it's good, I don't care what it is.
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Ultimately, your theme will find you. You don't have to go looking for it.
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When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.
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You can be interested in a Jane Smiley novel whether or not anyone says a word. She enters into her characters' thoughts with great understanding and depth.
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When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
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You just kind of have faith. If that sounds kind of mystical, it's because I really don't know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.
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Usually by the time I finish a book tour I've just about had it with the book.
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I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?
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It's no secret that in my books I'm trying to make the comic and the serious rub up against each other just as closely and uncomfortably as I can.