Richard Wagner Quotes
I was in a state of gnawing, sensuous agitation that excited continually both blood and nerves when I sketched out the music for 'Tannhauser' and brought it to completion.
Quotes to Explore
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Making music is pretty much the only thing I can do.
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When I was little, I didn't smile much. Don't get me wrong. I was a happy kid, but I couldn't stand the space, dead center, in between my teeth. Yeah, I could whistle through it, but so what? That didn't win me many points on the playground in Medfield, Massachusetts.
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I lead a simple life. I feed the fish. I walk the dogs. I cook dinner. Occasionally I take a meeting.
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I think what it takes to succeed remains the same. You have to have a real love of your sport to carry you through all the bad times, you still want to go ski even when things aren't working. You must have a commitment to work hard and to never give up.
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The average man finds life very uninteresting as it is. And I think the reason why is that he is always waiting for something to happen to him instead of setting to work to make things happen
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Nobody owns me or my music.
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The superior man is not seeking fulfillment through work and woman, because he is already full. For him, work and intimacy are opportunities to give his gifts, and to be vanished in the bliss of giving.
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The commerce of the world is conducted by the strong, and usually it operates against the weak.
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Victory is plesant, not only to those who love to conquer, bot to all; for there is produced an idea of superiority, which all with more or less eagerness desire.
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So I have loitered my life away, reading books, looking at pictures, going to plays, hearing, thinking, writing on what pleased me best. I have wanted only one thing to make me happy, but wanting that have wanted everything.
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Any man who selects a goal in life which can be fully acheived has already defined his own limitations.
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What's so great about the truth? Try lying for a change, it's the currency of the world.
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The difference between a cult and a religion, of course, lies in extremity.
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I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind...
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You're in this constant state of flux and transition, as if you had jet lag all the time. The acting part of it is easy. It's all the other things that come with it that are a bit difficult.
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I was in a state of gnawing, sensuous agitation that excited continually both blood and nerves when I sketched out the music for 'Tannhauser' and brought it to completion.
