Quentin Crisp Quotes
In Manhattan, every flat surface is a potential stage and every inattentive waiter an unemployed, possibly unemployable, actor.
Quotes to Explore
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My work as an artist is completely separate from my work as a philanthropist.
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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Yes, sometimes I think that all my writing is nothing more than the compensatory work of a frustrated painter.
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I may be a star in the South, but when I go to Bollywood, I am a clean slate, a white paper. Whatever the director makes of me is what I will become for the audience.
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But I think we need to remember that democracy everywhere is by its nature incomplete, a work in progress.
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I'm a Reuben kinda girl, but I'll take a BLT with avocado in a red hot minute if it comes on ciabatta.
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In Trinidad, where as new arrivals we were a disadvantaged community, that excluding idea was a kind of protection; it enabled us - for the time being, and only for the time being - to live in our own way and according to our own rules, to live in our own fading India.
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No one can be a yogi, maintaining a state of mental equilibrium, free from inner involvement in planned desireful activities, unless he has renounced identification with his ego and its unsatisfiable lust for the fruits of actions.
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The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it.
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I turned vegetarian after 9/11. A friend of mine came back from New York and said that he couldn't stand the smell of burnt flesh. It immediately reminded me of a barbecue.
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Being an actor sometimes requires that you ask yourself questions youd rather not know the answers to.
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I'm a relatively ugly character who's done pretty damn well in film.
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When I grow up I wanna be like Omar
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Attack your instruments. Don't let them attack you.
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From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
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A dull speaker, like a plain woman, is credited with all the virtues, for we charitably suppose that a surface so unattractive must be compensated by interior blessings.
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It changed my life in terms of what it did to my health, and what it did to my view of making games, and my relationships with people.
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In the stormy current of life characters are weights or floats which at one time make us glide along the bottom, and at another maintain us on the surface.
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Modern culture appears to have adopted a strategy of tragedy. If we come here and say, I didn't intend to cause global warning, it's not part of my plan, then we realize it's part of our defacto plan because it's the thing that's happening because we have no other plan.
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In Manhattan, every flat surface is a potential stage and every inattentive waiter an unemployed, possibly unemployable, actor.
