Yogi Berra Quotes
Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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Success must never be measured by how much money you have.
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The life of an actor is very hard irrespective of the continent you are in. It is doubly hard when you are only eligible for minority roles.
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Never go out to meet trouble. If you just sit still, nine cases out of ten, someone will intercept it before it reaches you.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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We're really going after truly creating sustainability of a disease-free state, creating a complete system for managing cancer patients for life, so that you can manage from onset of disease all the way through.
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For an actor, a Mamet play is definitely on the list of things you hope to be a part of before it's time to exit.
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NoScript is probably the most important privacy tool, but it costs you in convenience.
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People may remember something I did on the field for a couple of days, maybe a week.
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A fascinating breed, Old Etonians. Impeccable in their social skills and very portable - you can put them anywhere, and they are absolutely charming.
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Society exists only as a mental concept; in the real world there are only individuals.
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I'll give you my answer calmly and sensibly, my final answer. My final answer is finally no. The answer is no! Absolutely and finally no! Finally and positively no! No! No! No! N - O!
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The climate at country radio is very, 'Let's keep it up-tempo,' probably best if you're a guy.
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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Well, actually, I manage a couple of stock portfolios or funds or whatever you want to call 'em, and I think I've done relatively well with them.
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You try not to become so emotionally attached to your character, but you do.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I don't think I'm a singer, I think I'm an expressionist. But it takes time to put it in people's minds that this guy is not singing, 'Baby, I want to have you.' This guy is actually thinking about what he's saying. This guy has something to say.
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I like characters who have two different things going on, whether it is Robin from 'Top Of The Lake' having that strength juxtaposed with the vulnerability and being in pain, or whether it is Peggy from 'Mad Men' with her naivety and her sort of idiocy at times, combined with her intelligence and courage really to do what she did at that time.
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The important thing was that I had never behaved inappropriately toward any woman, and I had no intention of letting my enemies hang that age-old charge of sexual impropriety around my neck. Those who wished only to exploit my past failings, not forgive them, would get no help from me.
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Give me a Japanese division armed with bamboo spears and I'll wipe out the entire Russian Far Eastern Army.
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If you get a guy that can play a couple positions, it helps you out a real lot.
