Adam Clymer Quotes
When I came back to Washington to be The Times' chief congressional correspondent in 1991, I was looking for a book subject, and Ted Kennedy stood out for two reasons.
Quotes to Explore
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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You know, for one glorious half hour, I was the mother of the president-elect.
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So many paintings have hidden meanings or need wall texts, but my work is not in that category.
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The American people need to tell their member of Congress that we need a strong defense to protect us and to prevent wars. We can't get away with simply leading from behind and gutting our defenses.
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I believe it is universally understood and acknowledged that all men will ever act correctly, unless they have a motive to do otherwise.
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A mind which really lays hold of a subject is not easily detached from it.
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I don't want people to know what I'm actually like. It's not good for an actor.
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Around the world, climate change is an existential threat - but if we harness the opportunities inherent in addressing climate change, we can reap enormous economic benefits.
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I've been asked to do 'I'm a Celebrity... Get Me Out of Here!' and I do get asked to do all sorts of things like that - but I don't want to put my career on hold. I'd have to take three weeks off to do something like that. Maybe it's something I'd think about after it's all ended.
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I think that when you don't look at the good things around you, that you lose sight of all those good things. And you're not going to enjoy your life.
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Control of a company does not carry with it the ability to control the price of its stock.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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I have had an amazing career for a man who hits things for a living.
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My original idea was to produce and not make records myself.
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'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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The paradox of being in an industry where other people are usually the gatekeepers: publishers, editors - there are a lot of barriers to having control over your career. But coming out of hip-hop, the mindset was always to create your own.
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I don't like movies about serial killers, necessarily; it's too real and unpleasant for me.
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In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
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Walking at random through the streets, we came by chance upon the Cathedral of Notre Dame. I shall long remember my first impression of the scene within. The lofty gothic ceiling arched far above my head and through the stained windows the light came but dimly - it was all still, solemn and religious.
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When you look at 'Grapes of Wrath,' the weakest moments are those in which Steinbeck is spouting a political idea directly at the reader. The book's real power comes from its slower, broader movement.
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I'm more a dog person than a cat person.
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When I came back to Washington to be The Times' chief congressional correspondent in 1991, I was looking for a book subject, and Ted Kennedy stood out for two reasons.
