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It really is draining: when you sing a song, it means so much to you, and every time you sing it, you feel it ,and these emotions come back.
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I didn't even write the lyrics down. I got in the booth, I put down a little guitar riff and the idea I had was it was going to be really simple, I just want it to be all about the lyrics and I just literally sang the lyrics.
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One thing I never worry about is money, because I have my health and my family, and I can always go back to work.
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Our music contradicts our look.
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Nothing worries me in life anymore. When you find that best friend, that love, all your worries kind of go away.
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Hard to find a better drug than a song you love.
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When we were babies, mum had to dress one of us in one colour, like blue and green, and she'd put a little mark on our hand or toe... she definitely had to sort us out.
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I think Good Charlotte has definitely always been for the underdogs and the misfits. We haven't ever really been the critics' darlings.
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As a kid, you're like, 'Do they have Preakness everywhere or just in Maryland?' You hear people talking about it, and it was like, 'Oh, everyone goes there to hang out and party.' I didn't even know it was a race until I got older.
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I've started to see records as just a snapshot, a portrait of where you were at at that time. And if you're comfortable with that, sometimes it's like an old high school year book picture - it makes you blush a little bit, but you gotta learn to really appreciate each stage of your life and where you're at.
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There are so many bands I am starting to see: Waterparks, Potty Mouth - they're all garage bands that started in the garage. Kids are loving them.
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When you're making an album, it's kind of like having a baby. You have to really put everything into it.
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There's this wave of new pop-punk bands that has come out that's bigger than ever. I'm really glad that we got to be a part of helping push that forward, if we did at all. I wouldn't have had it any other way.
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Maryland is such a special place, man... You miss that warm, friendly love. It ain't like that everywhere else in the world.
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Today, somewhere in America, there's a kid who's got a laptop and a guitar and a couple of his friends he's putting together to play drums and bass, who's gonna change the way we say things, the way that we dress, the way we view things, the music we hear, everything.
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You're just these kids from a small town. You get a record deal, and everything just goes so fast. In the span of five albums... in a way, the band that you started in your bedroom, or your basement or your garage, kind of becomes not your band anymore. It becomes something bigger than you could have known. No one really prepares you.
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Prince led by example. As prolific as he was as an artist, he was just as courageous in the business.
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I didn't fly on a plane until I was 19.
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I think, a lot of times, people think they know what they want, but what they really want is something that's genuine.
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A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
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The youth is always going to decide the future.
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We can guarantee you that 15 to 30 seconds of any of our songs are going to be good. The rest, we can't guarantee.
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We don't take ourselves seriously; we make the records for fun.
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I need a little criticism while I make a record so that I kind of feel like: okay, I know that I'm doing the best that I can do because someone is actually here challenging it.