Carl Froch (Carl Martin Froch) Quotes
Just swerve Golovkin like the plague. He punches like a mule. I don't need to be in with him. Dangerous fight.
Quotes to Explore
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Each age has deemed the new-born year the fittest time for festal cheer.
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I don't get angry very often, but there have been times when I have been frustrated with myself, maybe after playing a bad shot, after getting out, I have done some damage to some equipment of mine. Once or twice in the course of 20 years – I think you can allow me that at least.
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I never was a very good singer.
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I've always tried to stay behind the scenes, and I intend to keep it that way.
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I'd definitely be up for 'EastEnders.' Just the same as I would if 'Coronation Street' was offered. Either way, it would be like going back to my roots.
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Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.
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I'm a professional geologist, an explorationist for oil. That's what I've done in my career, one that's culminated in - at least to this point - playing a part in finding the largest field in the last 40 years anywhere in the world. That's the Bakken field, which I believe will yield 24 billion barrels of oil in the decades to come, maybe more.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I don't look for anybody to pay for health care for me and my family. That's my responsibility.
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All day long the door of the sub-conscious remains just ajar; we slip through to the other side, and return again, as easily and secretly as a cat.
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In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
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I want to evolve each season. I never want to be one of those brands where people know what they're going to see. I always want an element of surprise. One thing I never want to do is copy what anybody else is doing. I have a signature, and it's very important to me to stay true to that.
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I've always just focused on the work, and I've just tried to be honest with the work. If the work speaks to people, fantastic.
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To illustrate what I mean, an apt dancer may be in thorough unison with the others in that particular group, and at the same time reveal a difference in dancing temperament, rhythm or technique; she may phrase, accentuate or actually interpret differently.
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My character in 'Mr. Holland's Opus' was kind of coming of age, learning about a world that was opening up to her.
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I knew that if I wanted to stop being a pushover I had to get comfortable with small rejections myself. That took some work, but because of it I can now say 'no' to other people with a clear conscience.
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Anybody can act good to be around when they are doing really well.
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The Purple Man helps Matt understand that his powers are unique, and maybe he is cut out for the hero biz after all. And Mr. Fear challenges Daredevil's very philosophy; how does a Man Without Fear deal with a man who induces terror in everyone he meets?
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If you know nothing, it could be like an enemy in a way. I think that's the way I felt when I was young.
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I'm not a pacifist. I feel that there are situations where fighting is inescapable, but we don't go looking for those things.
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I feel that I fell somewhat under that category where I was using fighting to kind of run from my own self to an extent, to kind of numb the things that I thought about myself. When I had fighting taken away, I was forced to look at myself in the mirror and say, 'What are you without fighting?'
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I freelanced for the 'Boston Phoenix.'
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Just swerve Golovkin like the plague. He punches like a mule. I don't need to be in with him. Dangerous fight.
