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We cannot hope to control what we do not understand, nor to confront our adversary, war, with our eyes averted.
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All of us live in history, whether we are aware of it or not, and die in drama. The sense of history and of drama comes to a man not because of who he is or what he does but flickeringly, as he is caught up in events, as his personality reacts, as he sees for a moment his place in the great flowing river of humanity.
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... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
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One is not really a photographer until preoccupation with learning has been outgrown and the camera in his hands is an extension of himself. This is where creativity begins.
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I found him an impressive man, and a very difficult man.
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It doesn't matter if you take a great picture if no one knows what it's about.
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I always had the feeling that something was going to happen in front of me, and when it did I wanted my camera to be there.