Carlo Maria Giulini Quotes
My intention always has been to arrive at human contact without enforcing authority. A musician, after all, is not a mili- tary officer. What matters most is human contact. The great mys- tery of music making requires real friendship among those who work together. Every member of the orchestra knows I am with him and her in my heart.
Quotes to Explore
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The media's gotten lazy. They don't check anything out. You report what he reports.
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I don't care tuppence whether I'm forced into a leadership position or not. I'd much sooner not.
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We are not the same India that the world saw in the 1970s and '80s. Hence, we have a responsibility to live up to the pedestal on which we have been put.
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We've got to step up our conservation efforts before it's too late. We're not protecting our lands and natural resources. Take the Grand Canyon for example; I'm sure that at one time it was a beautiful piece of land, and just look at the way we've let it go.
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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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As Governor, I've worked to solve problems the New Hampshire way - bringing together Democrats, Republicans and Independents to help hard-working Granite Staters adapt to our changing economy so that everyone has the opportunity to get ahead and stay ahead.
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When we talk about the minimum wage, we have to ask ourselves what it is that we owe both our workers and employers. I think clearly we owe them fairness.
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The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.
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Once imbued with the idea of a mission, a great nation easily assumes that it has the means as well as the duty to do God's work.
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A great calamity is as old as the trilobites an hour after it has happened.
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Generally speaking, if a human being never shows anger, then I think something's wrong. He's not right in the brain.
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I loved wrestling in Philly. It was such an exciting time in my life. That really helped me grow and think differently. It was also just a lot of fun.
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I don't like to meddle in my private affairs.
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My desire has always been to be the leader in an industry.
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We played together for so long and we got to the point where our styles blended together. Even today, sometimes I'll hear our records and I'm not really sure who played what. And we took a bunch of acid together too.
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When I was snowed under with the work of an idol, I didn't have time to think.
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Endangered species are our friends.
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No pen can give an adequate description of the all-pervading corruption produced by slavery.
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Some days, I do feel that pressure of, 'What do I mean as a black woman? What am I representing?' It honestly just gives me anxiety.
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In my first video diary I explained my love for women who have a taste in carrots. Since then, I have received plenty of carrots. Now I also have a keen interest in women who like Lamborghinis.
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Sometimes your mistakes are you biggest virtues. You learn so much from the mistake. Those things that you think are the worst thing that's happening to you can somehow turn around and be the greatest opportunity.
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I don't have a radio or TV going all the time. It's very important to have awareness, to know when you tense up and then to stop that.
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There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
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My intention always has been to arrive at human contact without enforcing authority. A musician, after all, is not a mili- tary officer. What matters most is human contact. The great mys- tery of music making requires real friendship among those who work together. Every member of the orchestra knows I am with him and her in my heart.
