Rick Perry Quotes
We have to identify everybody that's here, and there's going to be an appropriate discussion in Congress on how to deal with an individual who has been here maybe for some long period of time. Amnesty is not on the table period. There will be no amnesty in the United States. We're a country of law and the idea that we're going to tell people that somehow or another that that's all forgiven is not going to happen. How we deal with them is a conversation. I don't know if I know all the answers. I want to talk to the American people.
Quotes to Explore
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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All performances are different. I don't think it's necessary to compare one with another. I am just me playing the role of Lear. You're bound to get a Holm approach to it, whatever that may be. I just got out there and did it. I'm very much a doer in my acting.
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Blogging and the Internet allow us to engage in a lot more real time conversations as opposed to a one-way dump of information or a message.
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In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of self worth.
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Badly constructed houses do for the healthy what badly constructed hospitals do for the sick. Once insure that the air in a house is stagnant, and sickness is certain to follow.
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I might go on discussing this subject at great length, but after all is said, done, and written, my own book of experiences will best show what these obstacles are, and how I managed to overcome them to some extent.
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More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.
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What gives the artist real prestige is his imitators.
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It's humbling and enthralling to know your legacy when you're alive.
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I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
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There's a difference between being posh and being rich.
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I don't like to play the victim.
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As someone from a developing country, I have a problem with rich countries thinking they can tell us anything, simply because they are giving money.
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I would like to be known as one of the best actors in the world because that is something that I would have earned. And being sexiest would come from my genes... it is something I was born with and not earned it for myself.
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My parents used to talk about Sergio Leone films a lot. And I got really into them. I love Clint Eastwood. I love the camera angles. I love the music.
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No one knows for sure if you can inherit a stammer, and so I worry that my baby might. It's why I want to work on my speech before he arrives. I don't want him to hear me stammer.
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Most films made about the future acquiesce toward death, and I don't want to be told how to define my future.
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The function of the university is not simply to teach bread-winning, or to furnish teachers for the public schools or to be a centre of polite society; it is, above all, to be the organ of that fine adjustment between real life and the growing knowledge of life, an adjustment which forms the secret of civilization.
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It takes thousands of them to create an archive of human wisdom; only one to set a torch to it. Wouldn’t you have to say, then, that the work of the librarians is more typical of mortal behavior than the work of the arsonist?
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Shimrod said: 'Once I thought of you as a child in a woman’s body.'Melancthe smiled a cool smile. 'And now?''The child seems to have wandered away.'
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If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.
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It is only a moment here and a moment there that the greatest writer has. Some cognizance of the fact must be taken in your teaching.
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Therefore the great mediator of any community is human morality.
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We have to identify everybody that's here, and there's going to be an appropriate discussion in Congress on how to deal with an individual who has been here maybe for some long period of time. Amnesty is not on the table period. There will be no amnesty in the United States. We're a country of law and the idea that we're going to tell people that somehow or another that that's all forgiven is not going to happen. How we deal with them is a conversation. I don't know if I know all the answers. I want to talk to the American people.
