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Actually, lots of women, when they're pregnant, feel like steel. They feel incredible.
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I think I remember being held by my mum as a baby.
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I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
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I've always wanted to play a Marvel baddie. I'm not sure I fit the mold, though. Like a powerful, extraordinary woman. Somebody with superpowers would be really fun, but I'm not sure how many middle-aged women they have in Marvel.
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I am a perfectly normal woman. If what we do is storytelling and represent people that we see all day and every day, well, we do not see supermodels all day and every day.
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I eat a bit too much; my teeth aren't perfect; I've got eye bags. I look like a normal 39-year-old woman - but in England, no one minds that.
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I spent years commuting into London when I was working as a temp, and I hated the monotony of it.
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I was always pretty ambitious, although it probably helps that I can't do anything else - apart from cleaning lavatories. But I remember my mum once said, 'I suppose you'll give it a year and see if you can make it as an actress?' And I said, 'No Mum, I think I'll give it 10.'
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My daughter's still so tiny at the moment; she's just a sweet little meaty thing. But of course, you always think about what you want for them, don't you, and like any parent I want my children to be happy more than anything.
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For some reason, people imagine that dramatic things happen to people who don't look beautiful.
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I do sometimes wonder if people think, 'Oh we'll have her because she cries well.' The odd thing is I don't really know where it comes from. If the script is good, I find I can usually cry without too much trouble - in fact, the hard thing is trying to get me to stop. But I'm not really a crier in real life. I'm not a dramatic person, you see.
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I'm really enjoying being able to do these unhinged comedies and emotional dramas alike. I'm having a lovely time. After shooting a role that requires months of crying, it's quite nice to be able to play something very different.
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I'm always keen to have more training as a charity patron.
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There was nothing about 'The Killing' that patronized its audience, and it was quite slow and detailed, all of the things which, for a long time, people had been nervous of making.
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In fact I was slightly badly behaved at school and got in trouble. I would get a bee in my bonnet about something I thought wasn't right, and I would ape about too, to make everybody laugh. That was my way through my girls' school, because I wasn't very academic.
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I don't have a process; I just feel it. My book on acting would be very short.
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I don't like the bullying, do-one-over style of comedy. It's so cheap.
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If I didn't have children I might be more of a lush than I am. I like booze. I struggle with smoking. And I'm a big swearer. I'm trying to rein it in but I do think it's a nice seasoning of language.
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As a child, I thought, 'Once I am a grown-up, there will be no more fear, no more worries,' and it turns out that's not true.
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I want everyone to know what they deserve in relationships: that they can demand equality and kindness. Because everyone will have a relationship at some point in their life. It's what we all do, every day, and we need to know how to do it.
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Dementia is such a terrifying thing for all of us, and we are particularly bad at coping with old people in this country.
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I was rubbish at school.
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If people still trust me with a funny line, then that is fine. If that is what gets me work.
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I don't think you can cry if the script is rubbish. I have to feel it; it's as simple as that. It's just like if you're watching something moving, and you feel yourself welling up. It's the same thing. You're just being carried along with the story. There's nothing magical about it. I think I'm in touch with my emotions, and I can't help it.