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If something touches me, I cry. That's it. I'm a bit raw, a bit rubbish, really. Often, a director will say to me, 'I don't think this is a scene where your character cries.' And all I can say is, good luck with that!
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This may sound mad, but you sort of assume that no one's going to watch what you do. You go on set, have a lovely time, and then you forget anyone's going to see it. So it's always a bit of a shock to be recognized. I get terribly embarrassed.
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I find Shakespeare terrifying. When Simon Russell Beale does a speech, I understand every word of it, but if I did the same speech, people would be going, 'Huh? What?'
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I love my job and I know I am very lucky but still, if you audition and you don't get it, it still affects you.
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I can see why people keep having babies. We were looking at a school for my youngest this morning, and there were all these little boys and girls. So sweet. And then the teenagers walk past, and, my God, they're enormous, and I bet they don't kiss their mummies. I'm just going to force my children to remain lovely.
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I have done Botox, and I loved it.
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I've been working a long time; it was a slow burn. But I'm grateful it's been like that.
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I used to want to be in 'Downton' because I had never been in a period drama, but then I did 'The Suspicions of Mr Whicher' and had to wear one of those frocks and... I didn't feel very comfortable.
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Everybody laughs all the time, and some of the worst things that happen make you laugh 'cause it's a defense isn't it, I suppose.
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It gets slightly daunting if you're watching the telly and everybody's gorgeous. It's just so rubbish. And I'm grateful that it's not so much anymore - it's great to see.
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The first time I did a school play was the first time I felt I was good at anything at all. I just loved it.
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I think a good dollop of sadness is quite a useful thing in comedy sometimes. I think if everyone's happy all the time, it's a bit dull. It's like salt and caramel - you wouldn't imagine they would go well together, but they do.
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I've been with my husband and friends for so long, I've forgotten what is unappealing to new people.
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I feel fortunate that I'm not a beauty. I'm not a classic beauty. I feel it is harder for girls who are like that. There are fewer parts.
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I want to be helpful to the charities I support. I think you can dilute it, the more you do. You have to be a bit strong about what you do... otherwise, you risk spreading yourself a bit thin, and you can be less useful.
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After those first two BAFTAs, I didn't really get offered anything, which makes you think, 'Oh, no!' And, after I finished the second series of 'Broadchurch,' nothing came up for six months, which really is a long time, and I got a bit panicky.
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I am just an actor - all I do is I memorise someone else's words and tart around.
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I was nervous about meeting Charlotte Rampling, as she's a proper legend, but she is just so sweet.
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I've always done drama, but I suppose 'Tyrannosaur' was a bit of a watershed moment for me. It was like when Kathy Burke did 'Nil By Mouth' - suddenly, people were saying, 'Oh, she can do that, too.'
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I think each person you play has a little bit of you in it - you can't really help that.