Carlos Zambrano Quotes
Quotes to Explore
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I had a job since I was old enough to work - since I was, like, 14.
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Military is a great place for a jock. That's the first thing they test you, they test you physically. If you can run, if you can do the pushups, it's not as hard a transition. If you can't do that, you're going to have a problem because they're going to really work it out of you or work it into you.
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I've always had a 'Work hard, play hard' attitude to life - I still do - but sometimes you get involved in something that needs a calm, methodical approach.
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If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
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It's physically hard for me to work. I start to break down, physically. My joints start. I get weepy eyes. I don't sleep well. I was never a hard worker, I guess. So the voiceover work ethic is really great for me - couple days a month, two hours a day.
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Fame is like the dessert that comes with your achievements - it's not an achievement in itself, but sometimes it can overpower the work.
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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Jim Brooks is a very powerful director and it was a lot of intense work.
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The thing about this business is that you always end up finding these amazing stories and these amazing people who make amazing films. I just want to work with good people and keep challenging myself with different kinds of characters.
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I began the study of medicine, impelled by a desire for knowledge of facts and of man. The resolution to do disciplined work tied me to both laboratory and clinic for a long time to come.
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There is this idea that it's very different from the French point of view to work in America blah, blah, blah. But I think it's different from one person to the other, not from one country to the other.
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The origin of all revolutions and corruption, and the spur and source of all base morals are just two sayings: The First Saying: 'So long as I'm full, what is it to me if others die of hunger?' The Second Saying: 'You suffer hardship so that I can live in ease; you work so that I can eat.'
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It took me a long time to adjust and narrow down my life. I made my shift to the mind-set … there's time for my daughter outside work and that's all. This is my new life. This is not drudgery. This is fun.
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I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.
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The potential elite runner must realize that hard means hard, easy means easy and they must patiently seek out what combinations work for them. They have to learn to be persistent and patient with their training and racing.
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Comedy is so fun. I don't know how these people can make movies and work on them for four months and they're these sob stories. I don't know how emotionally you get through that.
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As far as working with actors, I feel very comfortable working in that aspect of directing.
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I'm not a Pollyanna; I'm a pragmatist.
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Colleges would compete by adding professors, enhancing programmes or building nicer facilities. So they competed by making institutions better.
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We are an industry, and we are all in this together and can't survive without each other. I feel it is high time we realise that. If we go against each other, or if we get happiness from other people's fall, then there is no way we will move ahead.
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Maybe next Spring Training, I will work on that.
