Quentin Tarantino Quotes
I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.
Quotes to Explore
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I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.
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The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget: but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude.
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I'm not being secretive about anything. I just actually don't have opinions about society.
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We tend in this country to talk about Democrats and Republicans, and think there's little group over there called Independents that's maybe 2%. That is not the case, and it has not been the case for most of modern American history.
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You can't reverse fame. You can lose all the money, but you'll never lose people knowing you.
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To expect the unexpected shows a thoroughly modern intellect.
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I can't laugh, be happy, present myself at any prize and also win on the centre court.
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One thing you can't intend is how you will be read. I hear it said a lot that my books are about the 'search for identity', and this is said admiringly, as if I meant to encourage such a search.
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I feel sometimes that I'm in a constant state of being lost in translation, and I guess that why I write songs.
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I sound like a chain-smoking drag queen after a hard night of singing 'Tie a Yellow Ribbon'.
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I don't think God cares a whole lot about the outcome. He cares about the people involved, but I don't think he's a big football fan.
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I do like the research part of writing, I must admit.
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Falling in love, romance, matters of the heart - when you fall in love, on some biochemical level you know there is a chance it won't work out. It's ingrained in us that if you take such an enormous risk on someone with your heart that it might not pay off. I gamble all my chips and I might actually lose everything.
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After 'The Sisters Brothers,' I tried to write a contemporary story dealing with an investment adviser in New York City who moves to Paris. I did all this research, but after about a year and any number of pages written, I was bored stiff.
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Do you know what a showmance is? It is like being at a summer camp when you're a teenager. You spend summertime away from your home. When you spend three months very closely with someone at a particular place, it is like a summer love. You have no choice but to get involved with that person.
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There are few better measures of the concern a society has for its individual members and its own well being than the way it handles criminals.
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I'm just the opposite of a lot of photographers who want everything to be really, really sharp. And they're always, you know, stopping it down to F64.
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Good artists copy, great artists steal.
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This in turn suggests an answer to our question: what happened between the birth of De Sade and the birth of Krafft-Ebbing? The rise of the novel taught Europe to use its imagination. And when imagination was applied to sex, the result was the rise of pornography - and of 'sexual perversion.'
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Be what you are. Don't change yourself for anything. God made you that way for a reason.
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I have gone to great lengths, and in some cases beyond what is required by the reporting guidelines to ensure all of my filings are beyond reproach, by hiring an independent third-party accounting firm to review and audit all of my previous annual financial disclosures.
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Maybe not having time to think is not having the wish to think.
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I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.
