Rick Yune (Richard Yun) Quotes
Quotes to Explore
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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The analysis of character is the highest human entertainment.
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Money is always on its way somewhere. What you do with it while it is in your keeping and the direction you send it in say much about you. Your treatment of and respect for money, how you make it, and how you spend it, reflect your character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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Beauty is in the character of a person. It's about having an interesting face and about what's inside. Anyone can take a good picture.
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There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.
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Events are the best opportunities to experiment with clothes, as we have to stick to a character in films.
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My character and my behavior is not for politics. I say what I think. I'm too liberal.
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When I was five, I discovered a secret box that contained Mummy's stage makeup. It was like finding buried treasure. I tried the rouge, the eye shadow, the lipstick. But I couldn't get the rouge off. Mummy spanked me terribly.
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There's such an emphasis on having a character be likable. I don't think it would be helpful if I worried about that. I mean, not everyone's likable.
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Usually, witches are the little side character... a bad female character that comes in and leaves.
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I try to research or make up for myself what happened in any character's life. From when he was born until the first page of the script. I fill in the blanks.
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When you do films that have multiple sequels, you develop a character for a film.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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My mother hoped I would meet a nice doctor or barrister or accountant who would marry me and take me to live in what is now called Fashionable Dublin Four. But she felt that this was a vain hope. I was a bit loud to make a nice professional wife, and anyway, I was too keen on spending my holidays in far flung places to meet any of these people.
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Sorry, is my new Djinn name Mushroom ? Because I don’t like being kept in the dark and fed bullshit, David. Just so you know.
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I love the perspective afforded by having lived five decades, a degree of bemused and muted calm, a relief from the insistent demands of a turbulent ego and rampant ambition. I'd love to stay here forever. But something tells me that 50 is a sunny idyll, a temporary state of grace, a golden afternoon.
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It turns out umpires and judges are not robots or traffic cameras, inertly monitoring deviations from a fixed zone of the permissible. They are humans.
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In a lot of ways, the make-up was the character.
