Risa Lavizzo-Mourey Quotes
Quotes to Explore
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People idealize or reminisce about their 20s, but nobody tells you beforehand that it's hard and unglamorous and often very unpleasant.
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Education for all seems to be the product of a type of distributive justice that is in no way related to the individual.
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Whether it was Little League or playing with your brothers or sisters, that was always a problem. If I would lose - because I very rarely lost - then everything would go crazy.
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I have much greater faith in the governor and the state legislature to craft a Medicaid system that is going to be the best fit for the people of Georgia rather than someone in Washington dictating it.
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A duty is to be chosen from what is virtuous, and from what is useful, and also from the comparison of the two, one with the other; but nothing is recognized by Christians as virtuous or useful which is not helpful to the future life.
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The Tea Party has imparted political energy to common-sense American constitutionalism.
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I'm not the lovable, wonderful, tenderhearted grandfather that you read about in books. I'm grouchy and curmudgeonly, and I have a lot of rules.
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When you're on stage, the audience becomes your other half. It's the ultimate high you can reach as a musician - an incredible feeling. And no matter where I am it's still the same; there's a reason we call music the universal language.
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I love doing improv. I love comedy. I have always felt this way, even when I was really young.
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Music fills the infinite between two souls.
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Music has to change. I don't want to stay the same forever.
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I don't think rock 'n roll is necessarily a young man's game. I think Neil Young is just as rock'n'roll now as he was in his 20s. I'd like to think we can still be edgy and challenging.
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To perform in front of a room full of people you go to school with would be terrifying. I couldn't do it now.
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Art is important because when people start to forget, art reminds them what happened. Like 'Guernica.' People would not remember the tragedy of Guernica today if it were not for that painting.
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Well, basically I have a lot of friends because I've been in the business a long time and worked with a lot of people.
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I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
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When I lived in Baltimore, I would come down fairly often to go to the Hirshhorn, and one of my good friends from high school went to Georgetown. I actually ended up going to Annapolis a lot. I had a car, and it was such a serene place to drive.
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I've punched a fan in the face because he was obnoxious. I've also pinched a child and made him cry, but I was 10 then!
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I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
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There's no sense in doing something, especially if it's a hard job, if you can't have a little fun.
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If a role has been too one-dimensional, I have turned it down.
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If I take two years off, I would want to fight as much as possible.
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I am a homebody, something that lends itself to my profession.
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I've been described as impatient.
