Bernard Herrmann Quotes
As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
Quotes to Explore
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Western Christians have imagined that, at the end of the day, God is going to throw the present space-time universe into a trashcan and we'll be sitting on clouds playing harps. The ultimate future that we're promised is much more interesting than that. It's new heavens and a new Earth with new bodies to live in.
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I had done some TV movies that were great experiences but, no, I wasn't looking to do a series.
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Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.
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Countries like France should not be naive. We don't have a French YouTube or Amazon or Netflix.
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A true heiress is never mean to anyone - except a girl who steals your boyfriend.
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A man cannot become an atheist merely by wishing it.
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Well, I have been in physical altercations, but they weren't really fights because I am too scared and Jewish. So anytime that it gets to a point where there is gonna be a fight, I immediately apologize.
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I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.
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In Europe, the big word is tolerance. You tolerate everything.
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We find ourselves under the government of a system of political institutions, conducing more essentially to the ends of civil and religious liberty, than any of which the history of former times tells us.
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Cuba never had advisors in Vietnam. The military there knew very well how to conduct their war.
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The amygdala is indeed crucial for monitoring our environment and deciding what's worth getting worked up over. Once the amygdala determines this, however, it merely trips another circuit to actually produce the panic.
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I've worked out for years. For a long time, it was my only sense of gratification.
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He who has faith has... an inward reservoir of courage, hope, confidence, calmness, and assuring trust that all will come out well - even though to the world it may appear to come out most badly.
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Dude, I turn into a six-year-old when I come to Disneyland. It's amazing. My eyes glass over and my blood pressure goes down. I'm just like everybody else. I turn into a big kid when I come here. It's the happiest place on earth, right?
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I looked at my hands to see if I was the same person. There was such a glory over everything. The sun came up like gold through the trees, and I felt like I was in heaven.
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You have to learn a few things, which you do along the way, but basically, poetry is a matter of the ear. Iambic pentameters or what constitutes a stanza comes naturally - your ears will know.
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English, as a subject, never really got over its upstart nature. It tries to bulk itself up with hopeless jargon and specious complexity, tries to imitate subjects it can never be.
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Once you start playing a piece, there is a connection between every note. You cannot say, 'I will not concentrate on this note.' You cannot ignore things the way you do in the rest of your life.
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Anytime you fight a champion, you got to watch the tape closely and study him closely.
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Neither guy wanted to yield. It was the third fight of their trilogy, and it was that important.
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I believe we are more a product of our homes than of any other single influence.
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As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
