Carrie Brownstein (Carrie Rachel Brownstein) Quotes
To really be tortured by a song, it needs to be more than just something you don't like or don't get; it has to make your skin crawl by getting under it. Strangely, that last clause could describe provocative or daring music, as well.
Quotes to Explore
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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I like when the song starts to take over and you feel like you have to dance more than write.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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If I had my choice, I'd pick a song that tells a story every time. There is a great deal of pleasure in doing the vocal on a number that you can put feeling into.
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When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.
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Once I come up with the concept, the rest of the song just comes.
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I've been writing since I came to Nashville when I was 17. I've been blessed to have written with so many of the biggest names around. They took me under their wing and taught me the ways of writing. They saw something special in me, which feels great. Every song on my record is going to be original, and that's just a really cool feeling.
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What song have you played 10,000 times? It's probably not something basic. It's probably a song that validates your experience on Earth.
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I don't want to have a song like 'My Humps' and it be sagging down, so I pay attention to that area. A lot.
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She gets rock n roll, a rock n roll stationAnd a rock n roll dream.She's making movies on location.She don't know what it means.But the music make her wanna be the story.And the story was whatever was the song, what it was.Rollergirl don't worry.D.J. plays the movies all night long.
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I don't like when a song goes from one mood to another unless it's going to be out of sight.
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The people that only listen to one song from a record and flip around that much, if that's the only way they listen to music, they're probably the kind of people that like music as something to drive to, you know?
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'Night Shift' is the only breakup song I've ever written.
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It’s more than just putting a song on a radio, it can affect someone’s life.
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You are not what has happened to you. You are what you choose to become.
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All the choir of heaven and furniture of earth - in a word, all those bodies which compose the frame of the world - have not any subsistence without a mind.
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The purposes of the Almighty are perfect, and must prevail, though we erring mortals may fail to accurately perceive them in advance.
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To really be tortured by a song, it needs to be more than just something you don't like or don't get; it has to make your skin crawl by getting under it. Strangely, that last clause could describe provocative or daring music, as well.
