Carrie Fisher (Carrie Frances Fisher) Quotes
Quotes to Explore
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
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I associated excellence in writing with New York City.
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I find myself, by happy accident, writing 'Young Adult' fiction. However, I dislike such categories.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
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Although I sometimes enjoy writing from an adult's perspective, I feel dedicated to the coming of age story - that part of a young person's life where he must make a decision that will change his life forever. I still remember what it's like to be twelve years old.
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I think I'm genuinely sincere, and that's what hopefully makes it work. I take that very seriously when I'm writing.
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Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.
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The writing process for me is pretty much always the same - it's a solitary experience.
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I find it hard to write with writers sometimes because of their way of writing. Some are heavily focused on structure, but I have more of a 'Let's go with it' mindset. I like to be creative, and when I hear something that inspires me, I'll come up with a melody, a lyric to that melody, and take it from there. I try to keep it open.
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I think that screenwriting probably isn't seen as writing in the same way that novel-writing is seen as writing. But I certainly don't see it that way.
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Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
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My sister Kim is like Lucille Ball. She's magical in terms of her performance and her writing.
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Everything's weird on 'Curb Your Enthusiasm.'
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In my mind, my music is kind of inseparable from my hometown and my life growing up.
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All perception is colored by emotion.
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I'm really grateful that I could write. But I don't even mind it going on around me.
