Carrie Fisher Quotes
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What I really like is the marriage of both [writing and acting] - for instance, with Postcards. I don't actually act in it, but I worked on it with Mike [Nichols] as I went along, creating the character, so it was a bit like acting for me.
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[I was filmed] against a blue screen [in the Star Wars]. All the rest came later, in Lucasland. They did have me take gun lessons, though. I went to the same guys who taught Robert De Niro for Taxi Driver.
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I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.
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I got the part [in the Shampoo]. But it was this very unpleasantly rivalry tug.
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I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
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My extroversion is a way of managing my introversion.
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My heart's in the right place. I know, 'cuz I hid it there.
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I have a mess in my head sometimes, and there's something very satisfying about putting it into words. Certainly it's not something that you're in charge of, necessarily, but writing about it, putting it into your words, can be a very powerful experience.
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When my brother, Todd [Fisher], was born my father was already with Elizabeth [Taylor]. I was 19 or 20 when I first spent a block of time with him.
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My mom had the breakdown for the family, and I went into therapy for all of us.
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In my opinion, a problem derails your life and an inconvenience is not being able to get a nice seat on the un-derailed train.
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I've never met a deadline I couldn't miss. I make sure my editors know this.
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I was born into big celebrity. It could only diminish.
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You know how they say that religion is the opiate of the masses? Well I took masses of opiates religiously.
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Now it's dedicated to my grandparents and to both of my parents. The first book was dedicated to my mother so I thought maybe it was my father's turn, but then I realized that everyone would jump on that and assume I'd had some falling out with my mother, which is absolutely not the case.
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My life is like a lone, forgotten Q-Tip in the second-to-last drawer.
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I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
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Me being an actor was an accident, and not something I wanted to do, because I knew what happened eventually. Yeah, maybe you'd get famous, but then you wouldn't be famous anymore. Then you'd have to scramble to get back to where you were, and chances are, you wouldn't.
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If my life wasn't funny it would just be true, and that is unacceptable.
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I had to shoot shotguns for The Blues Brothers. But I don't like that stuff. Too butch for me.
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I grew up knowing that I had the prettiest mother of anyone in my class.
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I'm very sane about how crazy I am.
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You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.
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I don't want to be caught ... ashamed of anything. And because generally someone who has bipolar doesn't have just bipolar, they have bipolar, and they have a life and a job and a kid and a hat and parents, so its not your overriding identity, it's just something that you have, but not the only thing - even if it's quite a big thing.