Carrie Jones Quotes
I don't think we ever find anything, do we? I mean in life. We think we find things and then it turns out those things aren't what we thought.
Quotes to Explore
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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Censure is a limp noodle across the wrist of the president. I think the way we vote on the articles will express the way we feel stronger than any censure vote.
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Marriage is a very good thing, but I think it's a mistake to make a habit out of it.
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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Do all things with love.
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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If there's a pool I love to hangout there and layout and get some sun. If I can ever find a second to get some sun, some Vitamin D, I will do so.
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At 14, I'd have given my left arm to be a boy: I thought I was horrible and that no-one would ever find me attractive.
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I think you only really feel like an outsider if you've been an insider.
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I think the Matrix effect is over-used and I don't do it anymore.
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What you do on a dinosaur expedition is you hike and look at the ground. You find bones sticking out of the dirt and, once you see something, you dig.
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Artists are political in the sense that they've subtracted themselves from the structure of the marketplace and are contributing something that's not utilitarian. Even though books get sold, and I get advances, I get to look at society and think for a living.
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Every year, nearly two-thirds of the approximately 200,000 patients in need of a bone marrow transplant will not find a marrow donor that matches within their families.
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I used to think the press was a necessary evil and now I don't think it is. I think it's something you choose.
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I think Secretary's funny, it is about sex, and there's a lot of sex in it, sex is the key, but you're talking about a lot of other complicated things.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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I think that artworks are like these spiritual objects: I think that they have energies and powers beyond what the eye can see.
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The subject matter is very tricky. It's about the Munich massacre and what Mossad did afterwards with the assassination squads. I think it's a turning point in history, especially for the Palestinians.
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I revise many things in my life.
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Once you're a chess player, you spend a lot of time thinking about the game and you can't get it completely out of your head.
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Sheep farming is heavily subsidized in Great Britain. Without the subsidies, the green grazing in the valley of the River Exe would be gone. The handsome agricultural landscape of which the British are so proud, carefully husbanded since Boudicca's day, would be replaced by natural growth. The most likely growth is real-estate developments.
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Listening to Benny [Goodman] talk about the clarinet was like listening to a surgeon get hung up on a scalpel.
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One of the things I was so glad that happened to me on Knots was that I learned to relax.
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I don't think we ever find anything, do we? I mean in life. We think we find things and then it turns out those things aren't what we thought.
