Carrie Jones Quotes
Quotes to Explore
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I don't get nothing but love. In every ghetto all over the world. Nothing but love. They respect that I came outta there and I'm doing it the right way. You can't do nothing but respect that.
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I try to avoid conflict. I don't want people to be unhappy.
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If you go through life, and you don't find the beauty in an unexpected place, then you really have a sad existence.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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No doubt I enjoy being close to people in the way I dress, the way I speak, and the way I communicate with people.
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It's very simple. You have to be faithful to your other half and not have secrets. That's my rule.
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People do not decide to become extraordinary. They decide to accomplish extraordinary things.
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Pakistan has accepted some security training from the CIA, but U.S. export restrictions and Pakistani suspicions have prevented the two countries from sharing the most sophisticated technology for safeguarding nuclear components.
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Orchestras are not used to playing the kind of stuff jazz musicians like to play. It requires a lot of rehearsal and recording time, so it's much easier to do on a synth or sampler. So, we came up with that idea.
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Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the 'old stuff.'
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How many more school shootings do we need before we start talking about this as a social problem, and not merely a random collection of isolated incidents?
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Why is every great children's story about a journey? Maybe that's because we are always on one.
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The art of life is more like the wrestler's art than the dancer's, in respect of this, that it should stand ready and firm to meet onsets which are sudden and unexpected.
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A sold-out crowd is better than a number one. But being in the studio is better than all of that.
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When the missionaries came to Africa they had the Bible and we had the land. They said 'Let us pray.' We closed our eyes. When we opened them we had the Bible and they had the land.
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I was raised in a little church, the Grundy Methodist Church, that was very straight-laced, but I had a friend whose mother spoke in tongues. I was just wild for this family. My own parents were older, and they were so over-protective. I just loved the 'letting go' that would happen when I went to church with my friend.
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I saturated myself with the improv community.
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My accent does slip. When I arrived in England in 1978 at 18, I was shocked to find myself 'the American' at RADA. The English and the Americans have an intense relationship. They helped us out in the Second World War.
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It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
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A good part of the trick to being a first-rate scientist is in asking the right questions or asking them in ways that make it possible to find answers.
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We all have our muses. My grandmother and my mother are the people I write for. I'll never have to worry about who buys my work, or who likes it, and who doesn't. The people who I want to be proud of me already are.
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We couldn't take you to the mansion, so I brought the mansion to you. You're about to meet a few of the guys that will be vying your heart.
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There are certainly some artists in New York that I would love to work with. One is Sarah Michelson.
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Hormonal ones, I am right here. Me. The old lady otherwise known as your grandmother
