Carson Grant Quotes
As actors, we need public relations to campaign for our next possible role, and any media promoting our work seems positive in nature; but whether in theater or on a film set, a bad unprofessional photograph at the wrong angle may not be as flattering to some actors, and may be considered a harmful exposure.

Quotes to Explore
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Film has played such a big part in my life, in my impressions of the United States.
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I am not saying Russia is not important, but Trump's base is very well defended against that: 'the liberal media is out to get him', 'it's fake news', and all the rest.
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Even in an enlightened democracy, the media have to check themselves to make sure they are not contributing to an unnecessary mass hysteria.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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My goal is to bridge the gap between social media and traditional media.
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Law enforcement has seen an unprecedented use of social media by ISIL. They're just kind of flooding the airwaves.
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The secret is not to make a film that causes something like Virginia Tech to happen. The secret is to make a film that stops it happening.
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I didn't want to be an actress. I wasn't trying to be in film or an art gallery for me.
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The bad boy image is something given to me by the media. I have been in relationships earlier, even for as long as three years. I am not saying I am a saint. I am like any other guy, I guess. Unfortunately, every time I even meet a person, it is reported as a link-up.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I did my first film when I was in the final year of my graduation. At that time, I was still a kid, and I couldn't read the industry very well.
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I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
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'Magadheera' is a lovely film which can't be recreated.
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Fake news is a big thing in the field of Social Media Journalism. Fake news can be as simple has spreading misinformation.or as dangerous as smearing hateful propaganda.
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It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
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It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'
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How could a state be governed, or protected in its foreign relations if every individual remained free to obey or not to obey the law according to his private opinion.
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I've always wanted to keep my foot in film as well as theatre and be working in both worlds.
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To wait is not to sit with folded hands, but to learn to do what we are told.
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I became famous so quickly and so young - it was daunting. I was immature and I used to say some really stupid things in interviews. I never smiled on stage so I looked really serious, but it was because I hated my teeth and was incredibly nervous.
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As actors, we need public relations to campaign for our next possible role, and any media promoting our work seems positive in nature; but whether in theater or on a film set, a bad unprofessional photograph at the wrong angle may not be as flattering to some actors, and may be considered a harmful exposure.