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There are the lover and the beloved, but these two come from different countries.
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People, unless they are nilly-willy or very sick, cannot be taken into the hands and be changed overnight into somthing more worth-while and profitable.
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In the face of brutality I was prudent. Before injustice I held my peace. I sacrificed the things in hand for the good of the hypothetical whole. I believed in the tongue instead of the fist. As an armor against oppression I taught patience and faith in the human soul. I know now how wrong I was. I have been a traitor to myself and to my people. All that is rot.
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There is so much truth in children and so little self-consciousness. It always strikes me that they are so capable of losing and finding themselves and also losing and finding those things they feel close to.
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The theme is the theme of humiliation, which is the square root of sin, as opposed to the freedom from humiliation, and love, which is the square root of wonderful.
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She stood in front of the mirror a long time, and finally decided she either looked like a sap or else she looked very beautiful. One or the other.
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The people dreamed and fought and slept as much as ever. And by habit they shortened their thoughts so that they would not wander out into the darkness beyond tomorrow.
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Imagination takes humility, love and great courage.
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For you see, when us people who know run into each other that's an event. It almost never happens. Sometimes we meet each other and neither guesses that the other is one who knows. That's a bad thing. It's happened to me a lot of times. But you see there are so few of us.
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Doctors, by God; washing their hands, looking out windows, fiddling with dreadful things while you are stretched out on a table or half undressed on a chair.
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Love is the bridge that leads from the I sense to the We, and there is a paradox about personal love. Love of another individual opens a new relation between the personality and the world. The lover responds in a new way to nature and may even write poetry. Love is affirmation; it motivates the yes responses and the sense of wider communication. Love casts out fear, and in the security of this togetherness we find contentment, courage. We no longer fear the age-old haunting questions: "Who am I?" "Why am I?" "Where am I going?" - and having cast out fear, we can be honest and charitable.
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justice itself is a chimera, a delusion. Justice is not a flat yardstick, applied in equal measure to an equal situation.
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There are all these people here I don't know by sight or by name. And we pass alongside each other and don't have any connection. And they don't know me and I don't know them. And now I'm leaving town and there are all these people I will never know.
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The writer by nature of his profession is a dreamer and a conscious dreamer. He must imagine, and imagination takes humility, love and great courage. How can you create a character without live and the struggle that goes with love?
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This was her, Mick Kelly, walking in the daytime and by herself at night. In the hot sun and in the dark with all the plans and feelings. This music was her—the real plain her...This music did not take a long time or a short time. It did not have anything to do with time going by at all. She sat with her arms around her legs, biting her salty knee very hard. The whole world was this symphony, and there was not enough of her to listen... Now that it was over there was only her heart beating like a rabbit and this terrible hurt.
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The closest thing to being cared for is to care for someone else.
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I was like a cat always climbing the wrong tree.
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The music left only this bad hurt in her, and a blankness. She could not remember any of the symphony, not even the last few notes. She tried to remember, but no sound at all came to her. Now that it was over there was only her heart like a rabbit and this terrible hurt.
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The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
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But no value has been put on human life; it is given to us free and taken without being paid for. What is it worth? If you look around, at times the value may seem to be little or nothing at all. Often after you have sweated and tried and things are not better for you, there comes a feeling deep down in the soul that you are not worth much.
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This fear is one of the horrors of an author's life. Where does work come from? What chance, what small episode will start the chain of creation? I once wrote a story about a writer who could not write anymore, and my friend Tennessee Williams said, 'How could you dare write that story, it's the most frightening work I have ever read.' I was pretty well sunk while I was writing it.
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Now hoppin'-john was F. Jasmine's very favorite food. She had always warned them to wave a plate of rice and peas before her nose when she was in her coffin, to make certain there was no mistake; for if a breath of life was left in her, she would sit up and eat, but if she smelled the hopping-john, and did not stir, then they could just nail down the coffin and be certain she was truly dead.
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All men are lonely. But sometimes it seems to me that we Americans are the loneliest of all. Our hunger for foreign places and new ways has been with us almost like a national disease. Our literature is stamped with a quality of longing and unrest, and our writers have been great wanderers.
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I think we look for the differences in people because it makes us less lonely.