Cary Elwes (Ivan Simon Cary Elwes) Quotes
No one is black and white or good or bad or happy or sad or what have you. All have particular idiosyncrasies that make them fascinating and that's how I tend to approach a character.
Quotes to Explore
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By the usual reckoning, the worst books make the best films.
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The truth is, I don't sketch much at all. I have a very visual/spatial brain that retains a lot of information about maps, directions, positioning, and details, so I usually prefer working out those issues on the page itself.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.
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But if the technological Singularity can happen, it will.
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Let's dare to release our immature fantasies of a magically faultless U.S. system and a magically protected election process. We have been lucky as a nation, but sometimes continued luck depends on action.
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My father was a banker, but he was an independent spirit. He was a very good pianist and very much into music.
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As a comic, it's anti-comedy to be known. I think a lot of comedic actors get lost in this world of Hollywood and all this stuff. They lose what brought them there in the first place. I'm very trepidatious about it.
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Lying and corruption are in the Iranian society in all sense of the world, and if you do research about married women, you see that a lot of them tell you they get a lot of enjoyment from breaking the rules of corruption, because just for the fact that they break the rules, it makes them oppose the system.
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Its important to have specific dreams. Dream Big. Dream without fear.'
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I have often felt a bitter sorrow at the thought of the German people, which is so estimable in the individual and so wretched in the generality. A comparison of the German people with other peoples arouses a painful feeling, which I try to overcome in every possible way.
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You laughed for the marrow in their bones that was not yet ready for laughter; And you wept for their eyes that yet were dry. Your voice fathered their thoughts and their understanding. Your voice mothered their words and their breath.
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This band is a real collaboration, and I'm greatful to anybody who can appreciate our music. It doesn't have to be a certain kind of fan or person or anything. I think there's a little bit of something for everybody on this record.
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There's a connection between the advances that are made in technology and the sense of primitive fear people develop in response to it.
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I'd like to spend a day in Jesus's life. That'd be the most insane thing ever. I would love to do that.
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I'm just so comfortable with my hard work that I'm not worried about if I didn't get a job, or I didn't get that movie, or they didn't like me. It's like, 'It's OK. I can go play golf now. Have a great day.'
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Do you think it's a good idea to be sarcastic about slavery?
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Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.
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It's nice to play a character that has a soulful, dependent, close relationship. It must mean my character is interesting in some way.
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I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.
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I don't have anything against organized religions, except when they engender hatred for other religions. A lot of that we see today, where the Muslims are against the Christians and the Christians are against Jews and the Jews are against Arabs - I mean, it just it goes on and on and on.
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No one is black and white or good or bad or happy or sad or what have you. All have particular idiosyncrasies that make them fascinating and that's how I tend to approach a character.
