Marshall Bruce Mathers III (Eminem) Quotes
Quotes to Explore
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There's a perception out there that the U.K. has become unfriendly to immigrants. Even if that isn't true, the very fact that that is the perception will make people not even want to come.
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I never want to sound preachy about youth and feminism, but I feel like there aren't enough young people coming out about their concerns and opinions.
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When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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A lot of people may know my face and know that I'm a good player on the football field, but they probably don't really know me as a person.
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An image of the Earth, its landscapes, directly affects people. The beauty of the Earth creates enormous emotion, and through that emotion, you can transmit knowledge and raise consciousness.
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This is how I started: My mom was crazy for antique shops and junk shops, and my sister and I would play this game where, if we were driving with my parents and saw a junk shop or an antique shop, we'd scream at the top of our lungs. My poor father would have heart failure and screech to a halt, and we'd leap out and go and explore.
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If we took information only from sources with which we agreed on all issues, we would be left with merely quoting ourselves, and we would miss a great deal of truth.
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I don't think I can play Mr. Bachchan.
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I do like being busy. I'm not the kind of person who just sits around and goes to a spa when I'm not working.
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As goes California, so goes the rest of the nation.
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I always had a very strong sense of independence. I really liked being able to buy my Alanis Morissette 'Jagged Little Pill' album. I wore that as a badge of honor. I love not having to rely on anyone.
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I love my career right now, and I won't be with anybody until they make my life as satisfying and as happy as my work makes me.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I have a superhero complex. If I see anything bad happen, I run towards it, rather idiotically because, after all, what could I do?
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I like chords that are very lush with all the lush parts taken out.
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I feel very competitive with Robert Morse off-set. We often duke it out. He always wins.
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Auditioning is a lot of fun for me.
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What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.
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I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
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There's always pain around. That's one thing you can guarantee in life - there will always be a surplus of pain.
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I need drama in my life to keep making music.
