Nigel Gibson Quotes
What is interesting about the revolts is that they show that there is never anything purely spontaneous, and there is always some thinking and discussion, and thus some kind of organization involved in it.
Quotes to Explore
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The man for me is the cherry on the pie. But I'm the pie and my pie is good all by itself. Even if I don't have a cherry.
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Even if your novel occurs in an unfamiliar setting in which all the customs and surroundings will seem strange to your reader, it's still better to start with action. The reason for this is simple. If the reader wanted an explanation of milieu, he would read nonfiction. He doesn't want information. He wants a story.
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I have this data bank garbage can in the back of my head that is an emotional collection of events that have occurred in my life.
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I am richer than Davy Crockett. I can settle back and do what I want to do. And what I want to do is card tricks and magic.
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The motivation should come from regulatory enforcement, but enforcement is weak, and environmental litigation is near to impossible. So there's an urgent need for extensive public participation to generate another kind of motivation.
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It's an endless proving of myself, that I really am a musician, that I have something to offer in the room. That women can be musicians, women can be rock stars, women can be more than an objectified idea of a pop star.
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I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.
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We must not discriminate between things. Where things are concerned there are no class distinctions. We must pick out what is good for us where we can find it.
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I like to be loved or hated – I don't like mediocre. So I'd rather have the entire crowd hate me than to have 90% hate me.
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Honestly, I don't buy papers or the weeklies. I think when something messy does happen, you just need your closest friends and family all around you, and it's nothing to do with anyone else.
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I think that there's a clinical mental illness called depression, but I believe that post-industrial America has been narcotized by progress. There's a cultural malaise - mental illness or no - that everybody suffers from at some point in their life.
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Prose on certain occasions can bear a great deal of poetry; on the other hand, poetry sinks and swoons under a moderate weight of prose.
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It is possible and very common to overcome and manage a mental illness.
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I am fortunate in having this bone structure because I have a tremendously prominent temple. I like to think that's it's because I'm so intelligent. People say: 'You haven't got a line on your forehead.' I do. It's just the bones are holding them all out, and the cheekbones are holding my face up.
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No sooner is the exploitation of the labourer by the manufacturer, so far, at an end, that he receives his wages in cash, than he is set upon by the other portions of the bourgeoisie, the landlord, the shopkeeper, the pawnbroker, etc.
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Obviously, my label would want me to be on the radio all the time, but that's not my personal goal.
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What happens with artists, or people who start off doing things for the right reasons, is that you slowly start to paint yourself into a corner by doing what people outside of the creative world are asking you to do, and I think that's antithetical to being an artist.
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It's important to be right physically.
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All the great organizations in the world, all have a sense of why that organization does what it does.
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I've been, for want of a better phrase, a supporting actress so much of my life.
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I came to England in 1962 as a very young bride, in my teens, hoping just to stay two years and go back.
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I usually listen to various kind of singers. Curtis Mayfield was my favorite. James Brown, Tina Turner, queen of soul, I started to get that musical essence from that time before I even do my first song.
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What is interesting about the revolts is that they show that there is never anything purely spontaneous, and there is always some thinking and discussion, and thus some kind of organization involved in it.
