Catherine Deneuve (Catherine Fabienne Dorléac) Quotes
Hollywood was already changing when I went there in 1968. I love American directors. I would love to work for Francis Ford Coppola or Martin Scorsese. But they don't need European actresses.
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Too much work, too much vacation, too much of any one thing is unsound.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I've worked with very few that I considered unpleasant. Dennis the Menace was a joy to work on.
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Executive ability is deciding quickly and getting somebody else to do the work.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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If I am judged for my work, many myths about me as an autocrat or otherwise would become clearer. I feel false propaganda will not last, and truth will ultimately prevail.
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If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
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I realised I had to work in something creative, but with a business and global element. And that I had to do it while I was still young and had an appetite for risk.
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It's difficult to find a movie that feels true to itself. You feel the hand of Hollywood, the moviemaking by committee, on everything.
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I was really interested in geishas' work, and wanted to meet real geishas.
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My theory is, independent movies only work if you're willing to push the material and do something different.
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When a great many people are unable to find work, unemployment results.
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I am guilty of using dollar signs as proof of a work of art's longevity.
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There was an exhibition in Munich in 1937, 'Degenerate Art,' which included work by Klee, Kandinsky, Beckmann and many others. The work was called 'sick' and put in the trash heap. The sentiments expressed toward contemporary art by Jesse Helms, Pat Robertson and Mayor Giuliani recall the language used by the Nazis.
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I want to be clear: The United States of America has done what we said we would do. That’s not to say that our work is complete.
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I think both sides China and United States should work hard to build a new type of relationship between big powers. The two sides should cooperate with each other for a win-win result in order to benefit people from the two countries and the world.
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Ultimately, the less I know about what I'm doing, the better the work is.
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The brave view is that talking it out helps work it out. Maybe the realistic view is that talking it out inflames the issues further. But that is America, especially these days.
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If people are talking about me, I want it to be because of the work I'm doing and not the person I'm seeing.
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The people who are writing online and the people in my genre of creative non-fiction exert a great deal more freedom that journalists are allowed to exert in their day-to-day work.
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The things that led me to run for office - trying to figure out how we create an economy where everybody's got a fair shot and if you work hard, you can achieve your dreams.
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Everybody wants to talk about sectarian conflicts of the war in Iraq, but the fact of the matter is, Sunnis have lived with Shias in harmony more in the confines of Iraq, in that land, than they have been in conflict. That's an historical fact.
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Hollywood was already changing when I went there in 1968. I love American directors. I would love to work for Francis Ford Coppola or Martin Scorsese. But they don't need European actresses.
