Catherine Deneuve (Catherine Fabienne Dorléac) Quotes
Hollywood was already changing when I went there in 1968. I love American directors. I would love to work for Francis Ford Coppola or Martin Scorsese. But they don't need European actresses.

Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Too much work, too much vacation, too much of any one thing is unsound.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I've worked with very few that I considered unpleasant. Dennis the Menace was a joy to work on.
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Executive ability is deciding quickly and getting somebody else to do the work.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
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I realised I had to work in something creative, but with a business and global element. And that I had to do it while I was still young and had an appetite for risk.
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I was really interested in geishas' work, and wanted to meet real geishas.
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My theory is, independent movies only work if you're willing to push the material and do something different.
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When a great many people are unable to find work, unemployment results.
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I am guilty of using dollar signs as proof of a work of art's longevity.
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I want to be clear: The United States of America has done what we said we would do. That’s not to say that our work is complete.
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I think both sides China and United States should work hard to build a new type of relationship between big powers. The two sides should cooperate with each other for a win-win result in order to benefit people from the two countries and the world.
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Ultimately, the less I know about what I'm doing, the better the work is.
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The brave view is that talking it out helps work it out. Maybe the realistic view is that talking it out inflames the issues further. But that is America, especially these days.
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My work makes me a better mom. It gives me a little door to step out of my parenting and bring the excitement from my day back home.
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I would like to involve and love to work with young players.
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Around the world, human traffickers trick many people into slavery by false promises of good jobs or good education, only to find themselves forced to work without pay, under the threat of violence.
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Your work should be an act of love, not a marriage of convenience.
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Going to your set with the headphones on in the middle of the night so that your parents don't know what you're doing when you're supposed to be asleep is great. I was rocking the bedroom. That was so much more fun when I got the 1200s.
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Some people put a lot of fuss around them. I'm not an entertainer. Let's not get things confused.
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The young, the old, women, the disabled, the sick and the wounded are entitled to protection under international law. Too often, the ICRC's calls for those laws to be respected are ignored.
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Hollywood was already changing when I went there in 1968. I love American directors. I would love to work for Francis Ford Coppola or Martin Scorsese. But they don't need European actresses.