Catherine Deneuve (Catherine Fabienne Dorléac) Quotes
This book was company for me - I wrote these things when I was in hotels, far from where I normally live. I never intended to publish it.
Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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We put more emphasis on who can drive a car than on who can be a parent. And I think there ought to be mandatory parenting classes starting in high school, and you should have to have a license to be able to be a parent to explain that you don't give alcohol to kids.
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If I want popularity, I go to a chef's convention.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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Our goal definitely isn't to sell Stripe.
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I thought I'd be doing weird, Off Broadway theater after I graduated.
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Even within the last three or four years, I have a greater ability to communicate, I think. I have more courage to show the stuff... And it does take courage.
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I used to always buy clothes too big, but I should have showed off instead of covering up.
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I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something.
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They call me Fearless Felix.
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Only one thing registers on the subconscious mind: repetitive application - practice. What you practice is what you manifest.
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I come from the hi-tech world - you don't survive if you don't constantly reinvent yourself every few years.
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Say something personal, not from a publicist.
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This entire cast, N.W.A, was an all-star group, and I really feel like people are going to look at 'Straight Outta Compton' years from now like this was an all-star cast.
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I felt like people only knew me as a singer who dated pretty girls.
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It sometimes makes people feel better about themselves, you know, to put other people down, or make fun of them, or maybe make mockery of their work and that doesn't make me feel good at all.
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I always believe that one can't interfere in another's work. Once I start work on any film, I surrender myself completely and blindly follow the director.
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As we saw in the Queen's Speech, anti-social behaviour - a phenomenon that I believe to be a genuine worry that is also being fed by a lot of scare stories - is the political theme of the moment.
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Success is so fleeting; even if you get a good book deal, or your book is a huge success, there's always the fear: 'What about the next one?'
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Paradise Lost is a book that, once put down, is very hard to pick up again.
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To be honest, there are parts of 'How Literature Saved My Life' that began as interviews. Someone was telling me that they think the book sounds very phonic: that it sounds like me speaking. And I don't think it's a coincidence that there are six to ten passages that I cadged from various interviews that I did post-'Reality Hunger'.
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There are 20 million unemployed and what does the Constitution offer us in the Europe of 25, 27 and soon to be 30: policies of unrestricted competition to the detriment of production, wages, research and innovation.
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This book was company for me - I wrote these things when I was in hotels, far from where I normally live. I never intended to publish it.
