Catherine Helen Spence Quotes
The first issue of The Register was printed in London, and gave a glowing account of the province that was to be - its climate, its resources, the sound principles on which it was founded.
Quotes to Explore
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There's always elements of danger in New York, but people are always out on the street. I don't feel scared there at all.
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You do not need to have a 2,400-page bill come out of Washington, D.C.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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I want to live in a place where strangers rush to help someone in distress.
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I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.
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Is it not in the most absolute simplicity that real genius plies its pinions the most wonderfully?
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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The quality of your work, in the long run, is the deciding factor on how much your services are valued by the world.
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Of course, I have to consider that I've written a lot of prose, but I do in my heart think of myself as being originally, and still primarily, a poet.
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Sometimes you have to understand your place.
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With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.
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There is a perception in our communities that we have low educational outcomes in low-income communities because kids aren't motivated or families don't care. We've discovered that is not the case.
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I am forever learning and changing.
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I just like music that sounds like music. Not like machines and computers and things that you design to make things sound slick and perfect.
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In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
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I don't believe you should stay onstage until people are begging you to get off. I like the idea of leaving them wanting a bit more.
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When I lived in London when I did 'Wicked' there, everyone told me the audiences might be much more reserved, but I found it was completely the opposite. They jumped to their feet sooner, even more enthusiastically than the New York audiences did, and they were just as warm and as enthusiastic and supportive as New York.
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No, she did not have a history of twins, and we had discussed all of this before she got pregnant. What if all three, what if two eggs, what if one - you discuss every scenario.
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This isn't about fans, greed or money. It's about being morally right or wrong. Nobody is governing the way music gets from artists to fans. It's all running amok.
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I don't want to sound too Oprah-ish or anything like that, but I really believe that if you have the power to imagine particular things, you have the ability to transform them.
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The greater a man's talents, the more marked his idiosyncracies. Yet in the provinces originality is considered perilously close to lunacy.
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The first issue of The Register was printed in London, and gave a glowing account of the province that was to be - its climate, its resources, the sound principles on which it was founded.
