Daniel Clowes Quotes
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
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I'm either enjoying myself or I'm not. And if I'm not enjoying myself, something's gone terribly wrong.
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I like to work all the time and really immerse myself in the project.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
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Every story I create, creates me. I write to create myself.
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I don't really read 'business books,' and I didn't think 'The Paradox of Choice' was a business book. I'm very surprised and gratified that the business world thought it was one.
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When I find myself in the company of scientists, I feel like a shabby curate who has strayed by mistake into a room full of dukes.
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I have to remind myself when I'm on a job and I'm feeling a lull in attitude or confidence or whatever, I'm there for a reason. I have to constantly remind myself of these almost corny Pinterest mantras, like 'You are worthy.'
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I see myself not only as a football player, but an entertainer and icon.
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I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.
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Over my career, I've reinvented myself numerous times. I covered the Pentagon, the State Department, and the CIA. I wrote about labor wars, trade wars and real wars. I chronicled a nuclear plant meltdown and the defeat of Communism. I co-founded a couple of media businesses.
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I don't really know what the Great American Novel is. I like the idea that there could be one now, and I wouldn't object if someone thought it was mine, but I don't claim to have written that - I just wrote my book.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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It's funny, because I've never thought of myself as a Hispanic actor, like in 'American Gangster,' I'm playing an Italian. I've always been fortunate enough to have been allowed to play all these diverse roles.
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I turned 40 on the set of the reunion show for 'Sheer Genius,' so it wasn't a hideous birthday because I had everyone on the cast and crew sing 'Happy Birthday' to me, and I won $10,000 for being the fan favorite. It was really liberating to turn 40 and realize that I felt very comfortable with myself and knew who I was.
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Freedom. It's not something you go out and die for.
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I personally think we developed language because of our deep inner need to complain.
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'At times, it seems to me that to be human is to want that which we cannot have. For some, this is power. For me, it is peace.'
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You could turn to others for help, but you couldn’t claim their help by right.
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I think I'm gonna attach myself to the sinking ship that is book publishing.
