Peter Murphy Quotes
Quotes to Explore
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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You can be an Olympic champion in 9.5 secs, but to be the greatest, there's more to it. It takes a bit of forethought and a lot of mental application.
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Every member in Congress has a seat, and they deserve a seat at the table.
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I just have to go out and fight my fight and fight to win.
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I firmly believe that any man's finest hour, the greatest fulfillment of all that he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle - victorious.
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I think pregnancy, like life, is what you make it. I received a good hand. I'm thankful and blessed and so peaceful and can't wait to welcome my son.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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I can do whatever I want.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
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The creative part of your brain needs to be stimulated. Sometimes you get blocked in the thing you do, because there's so much pressure to do it.
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I am a Brazilian before I am an architect. I cannot separate the two.
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I went to film school and wanted to learn everything there was about making movies.
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It's too many questions about what I'm going to do, why I'm retiring, and this and that. So I answer the same question, I don't know, a thousand times.
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I'm a pro-horserace guy.
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Let the novelists fret about consistency - story writers should feel free to jam; to get things right in new, surprising ways by allowing themselves, now and then, to get things wrong.
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People who grow up in a region doubtless have a better cultural awareness of their own cuisine, but it's also true that a lot of locals go to McDonald's, Applebee's and the like.
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Friendship needs no words - it is solitude delivered from the anguish of loneliness.
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I'm not angry; I write about angry characters. When I'm doing that, I'm happy. Just like when I'm writing about Mickey Sabbath being lustful, I'm not feeling lustful; I'm happy.
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South Africa never leaves one indifferent. Its history, its population, its landscapes and cultures - all speak to the visitor, to the student, to the friend of Africa.
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One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
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Rewriting is like scrubbing the basement floor with a toothbrush.
