Catherine Opie Quotes
Quotes to Explore
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
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Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturbed.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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One of the prettiest sounds on Earth at sunset.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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I've spent most of my life embracing violence in wars and revolutions. Even a famine is a form of violence. Because I photograph people in peril, people in pain, people being executed in front of me, I find it very difficult to get my head around the art narrative of photography.
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I would love to study photography.
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Nowadays shots are created in post-production, on computers. It's not really photography.
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There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
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Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
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Truthfully, I don't really think of myself as a photographer. I don't have all the disciplines and knowledge of a person who's spent their life devoted to photography.
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In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
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We moved leisurely towards Mount Foster, on the 22nd, and arrived opposite to it a little before sunset.
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When I found photography, I found this other kind of portraiture of black families and black people who were photographing themselves or having themselves photographed in ways they wanted to be seen.
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If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.
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The city is all right. To live in one Is to be civilized, stay up and read Or sing and dance all night and see sunrise By waiting up instead of getting up.
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When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
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Sport is an international phenomenon, like science or music.
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The most perfect expression of human behavior is a string quartet.
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The biggest cliche in Photography is Sunrise and Sunset.
