Catherine Opie Quotes
Quotes to Explore
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
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I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'
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Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturbed.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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One of the prettiest sounds on Earth at sunset.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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I've spent most of my life embracing violence in wars and revolutions. Even a famine is a form of violence. Because I photograph people in peril, people in pain, people being executed in front of me, I find it very difficult to get my head around the art narrative of photography.
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I would love to study photography.
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Nowadays shots are created in post-production, on computers. It's not really photography.
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I want to make hand-held music, undiminished by the need to make everybody in the world listen at once. The goal is to ride into the sunset, stereo blasting, and all of what's got you worried will disappear in the rear view mirror!
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There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
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Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
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Truthfully, I don't really think of myself as a photographer. I don't have all the disciplines and knowledge of a person who's spent their life devoted to photography.
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One advantage of photography is that it's visual and can transcend language.
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
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My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown.
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I think I'm probably much better at the boots and pocket knife thing than I am at the high heels and martini thing.
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God may allow us at times to hit rock bottom, to show us He's the rock-at the bottom.
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You don't have to make a grand, exaggerated sound to sing opera.
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The biggest cliche in Photography is Sunrise and Sunset.
