Cathy O'Neil (Catherine "Cathy" Helen O'Neil) Quotes
Because of my experience in Occupy, instead of asking the question, "Who will benefit from this system I'm implementing with the data?" I started to ask the question, "What will happen to the most vulnerable?" Or "Who is going to lose under this system? How will this affect the worst-off person?" Which is a very different question from "How does this improve certain people's lives?"
Quotes to Explore
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Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
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My favorite thing about being an actor is that I get to be so many different people in one lifetime. You sort of get to be all of these different characters.
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A woman's experience is different from a man's in virtually every respect, including how she is treated by the media.
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Different races never fazed me because coming from Bethnal Green, I'd been around people of different races forever. Different class? That was much harder.
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One of the writers I most admire is Hilary Mantel because in the middle of her career, she just changed paths entirely and became just a totally different novelist.
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As Governor, I could think of only one way to unify our State that was made up of so many different climates, political beliefs and people, and that was our music.
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Every weekend, I'm on the highway to Antwerp. I need to be there, to have the calm. It's a whole different life: I jump on my bike, and it's so small, I can be anywhere in a minute. I like to be at home when there's free time because when you're at a big company, you're constantly surrounded by 30 people.
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I believe in free trade. I don't support regulating trade prices between different regions. Our point of view is we don't want trade barriers between different countries.
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Today different ethnic groups and different nations come together due to common sense.
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There are a lot of different facets to my personality that I don't use all the time in my house, or in everyday life, that I can experience and share when I'm on a stage.
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The worst disease which can afflict business executives in their work is not, as popularly supposed, alcoholism; it's egotism.
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L.A. is great, but it's a completely different beast. I go back to Minnesota, and I borrow a bike from my neighbor and go around Lake Harriet saying 'Hi' to people. Some of that is missing in L.A.
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It's been really nice to see different counties that I might never have visited before.
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Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again...?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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I always compartmentalized so many different things.
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What's so cool about movies is once you're done with the movie, you put it away and come up with a whole new different idea with different characters and a different world. But in TV, you build these characters, and you build this world, and then you're there for however long you do the show.
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We were using Brooke as an actress; she was playing different roles: a liberated woman, a teenager, a vamp.
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Tarzan held a peculiar position in the tribe. They seemed to consider him one of them and yet in some way different. The older males either ignored him entirely or else hated him so vindictively that but for his wondrous agility and speed and the fierce protection of the huge Kala he would have been dispatched at an early age.
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My dad lived on Sunset Boulevard for a couple of years as a waiter, and he said he'd do a different character every time somebody sat down, just to get some practice.
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The key is in remaining just aloof enough from a painting so that you know when to stop.
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..the thing was to choose one a ready-made object that you were not attracted by.. ..and that was difficult because anything becomes beautiful if you look at it long enough.. .My intention was to completely eliminate the existence of taste, bad or good or indifferent.
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To be afraid and to be brave is the best kind of courage of all.
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Because of my experience in Occupy, instead of asking the question, "Who will benefit from this system I'm implementing with the data?" I started to ask the question, "What will happen to the most vulnerable?" Or "Who is going to lose under this system? How will this affect the worst-off person?" Which is a very different question from "How does this improve certain people's lives?"
