Beryl Markham Quotes
But the soul of Africa, its integrity, the slow inexorable pulse of its life, is its own and of such singular rhythm that no outsider, unless steeped from childhood in its endless, even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.
Quotes to Explore
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When it comes to power, God Himself is the power. God often uses foolish things to confound the wise. That is why people like me will ever be grateful to God. In terms of knowledge, education and name, I am nowhere - a neglected stone.
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If you think that by threatening me you can get me to do what you want... well, that's where you're right. But - and I am only saying this because I care - there's a lot of decaffeinated brands on the market that are just as tasty as the real thing.
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Your focus should be on creating an environment where growth can occur and then letting nature take its course.
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I'm a passionate person, to a fault at times.
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I can laugh and cry at the drop of a freakin' hat - all at the same time.
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Those who believe that health is a commodity, on par with cars or computers, fail to grasp the basic economic lesson that health is very vulnerable to exposure to the markets, not least due to the profound asymmetries in power between the providers and consumers.
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I grew up thinking that singing was my security.
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In a sense, each of us is an island. In another sense, however, we are all one. For though islands appear separate, and may even be situated at great distances from one another, they are only extrusions of the same planet, Earth.
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Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
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I had to learn not to let anyone push me around, to be brave and to say things I knew might make people mad.
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Kids feel like they have to puff up or shrink. These reclusive qualities begin to develop because you feel that who you are is going to either be accepted or rejected by your family and friends.
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Many ingredients are called 'earthy,' but none comes as close to fitting the bill as buckwheat. I'm mildly obsessed with the stuff.
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Nobody who takes on anything big and tough can afford to be modest.
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It has very little to do with my work, but if your image is not sexy enough, people won't listen. It's part of the game.
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The idea of having to match a pair of socks to your tie or to your pants just doesn't make any sense to me... With boots, you don't have to worry about it. Nobody sees your socks.
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I bring my bike to work, and I make laps around our parking lot on my lunch break.
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I've been on 'Hollyoaks' since I was 15, and I've grown up on the show. I'm so very fortunate to be given the opportunity to learn my craft in such a fantastic environment.
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Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
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I always have a lot of things going on because some things take years to make and others take five minutes. I like that there's always something going on. Working doesn't have such a momentous feel - like it's all or nothing.
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I steer clear of books with ugly covers. And ones that are touted as 'sweeping,'_ 'tender' or 'universal.' But to the real question of what's inside: I avoid books that seem to conservatively follow stale formulas. I don't read for plot, a story 'about' this or that.
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I was 12 years old when I first moved to New York, and at that age, you're trying to find yourself. It was hard being so different from everyone I was around, and I felt that nobody could really understand me because everyone was American, and I was this little English girl with an accent.
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I found my thrill on Blueberry Hill.
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I like to play video games like 'Rock Band' and 'Guitar Hero.'
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But the soul of Africa, its integrity, the slow inexorable pulse of its life, is its own and of such singular rhythm that no outsider, unless steeped from childhood in its endless, even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.
