Bess Streeter Aldrich Quotes
Quotes to Explore
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I was born in Dallas, Texas, but I was raised in south Florida. 'Ice Ice Baby' is about that area.
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The loss of life will be irreplaceable.
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I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
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If you don't learn to laugh at troubles, you won't have anything to laugh at when you grow old.
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The problem of the twentieth century is the problem of the color line.
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Violence is a big problem. Too many children are dying. Too many children. We must do something.
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It was really a very small company when I started and it changed very rapidly during those first periods.
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After I learn more English, I'll work hard and make more films.
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It is always your next move.
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Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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You know yourself, once you've had the excitement of riding thoroughbreds, it's not very interesting riding anything else. But I still love horses; I just don't have one any more.
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I learned how to sign because when I was growing up in California in order to get into college you needed two semesters of language to get into a University of California school.
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I keep all my clothes on in House on Haunted Hill, Mary Jane's Last Dance, and The Way of the Gun.
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I suppose I'd always been attracted to commitment-phobes because some part of me felt unlovable. It was a lot easier to fall for a guy who I knew, on some level, wouldn't fall in love with me. There was nothing to risk. The real risk would be to finally be vulnerable to love.
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People say a lot of hurtful things, but in a way, the abuse that I endured from my husband prepared me for that. The things I had been told and drilled into my head from him were worse than what anybody could say to me.
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We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.
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I have had my results for a long time: but I do not yet know how I am to arrive at them.
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People are so used to having their lives filmed, they're not even conscious of having cameras around. I still have that sort of suspicion when a camera comes out. I view it as a thing to fear.
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Well, I'm not going to be singing about lollipops because I no longer relate to lollipops.
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Our business is to present the Christian faith clothed in modern terms, not to propagate modern thought clothed in Christian terms... Confusion here is fatal.
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He Giovanni Ardini, Italian master-carver opened up a new vista for me of the quality of form, light, and colour contained in the Mediterranean conception of carving.
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When a woman's heart is flowing over for the first time with deep and passionate love, she is all love. Every faculty of her soul rushes together in the intensity of the one feeling; thought, reflection, conscience, duty, the past, the future, they are names to her light as the breath which speaks them; her soul is full.
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Love is the light that you see by.
