Bess Streeter Aldrich Quotes
Quotes to Explore
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I was born in Dallas, Texas, but I was raised in south Florida. 'Ice Ice Baby' is about that area.
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The loss of life will be irreplaceable.
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I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
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I don't talk about how old I am because sometimes it can affect parts that you get in Hollywood. I don't believe that it's a necessary element. I feel that I'm a character, and I'm an actor. People focusing on my age instead of the role I'm playing can be a hindrance.
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If you don't learn to laugh at troubles, you won't have anything to laugh at when you grow old.
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The problem of the twentieth century is the problem of the color line.
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Violence is a big problem. Too many children are dying. Too many children. We must do something.
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It was really a very small company when I started and it changed very rapidly during those first periods.
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After I learn more English, I'll work hard and make more films.
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It is always your next move.
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Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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You know yourself, once you've had the excitement of riding thoroughbreds, it's not very interesting riding anything else. But I still love horses; I just don't have one any more.
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I learned how to sign because when I was growing up in California in order to get into college you needed two semesters of language to get into a University of California school.
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I keep all my clothes on in House on Haunted Hill, Mary Jane's Last Dance, and The Way of the Gun.
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I suppose I'd always been attracted to commitment-phobes because some part of me felt unlovable. It was a lot easier to fall for a guy who I knew, on some level, wouldn't fall in love with me. There was nothing to risk. The real risk would be to finally be vulnerable to love.
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People say a lot of hurtful things, but in a way, the abuse that I endured from my husband prepared me for that. The things I had been told and drilled into my head from him were worse than what anybody could say to me.
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We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.
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I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
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I have had much pleasure in working with Orphei Drängar during my time as chief conductor of the Gothenburg Symphony Orchestra, and I consider OD to be one of the most brilliant men´s choirs in the world. The singers are highly professional and their repertoire is of a very wide range, but then they have been trained for years by Eric Ericson, the world´s leading choir conductor. I also admire the strength and the beauty of their voices. OD is an extraordinary powerful choir!
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The wound-tight, travel-light Obama has a distaste for the adversarial and the random. But if you stick too rigidly to a 'No Drama' rule in the White House, you risk keeping reality at bay. Presidencies are always about crisis management.
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If you were to ask me to define a photograph in a few words, I would say it is a fossil of light and time.
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I've had to accept that - that everyone cannot love me. Because when there's love, there's hate. When there's light, there's dark. But it was really hard to accept as an artist that there's a lot of people that hate me, but on the other side, there are many more people who love me. I think everyone goes through that.
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Love is the light that you see by.
