Bessel van der Kolk Quotes
Some people’s lives seem to flow in a narrative; mine had many stops and starts. That’s what trauma does. It interrupts the plot. . . . It just happens, and then life goes on. No one prepares you for it.
Quotes to Explore
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You will die but the carbon will not; its career does not end with you. It will return to the soil, and there a plant may take it up again in time, sending it once more on a cycle of plant and animal life.
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I like to sit down every day and not know where the book is going. I have no idea where the book is going to go or how it's going to end as I'm writing it.
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The cultural decoding that many American writers require has become an even harder task in the age of globalisation. The experience they describe has grown more private; its essential background, the busy larger world, has receded.
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When I'm dancing, I don't know where the confidence comes from, but I just pretend I'm someone else, I think, and then I go out and dance.
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I always loved advertising. If I hadn't been in fashion, I'd have been in advertising.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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For almost a century since 1918, the centralised nation-state has been the world's default political form. Its various experiments in industrialisation, urbanisation, mass literacy and consumerism have brought more people into public life.
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Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
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I had a moment where I was like, 'I'm so tired of waiting for other people to accept me.'
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The spiritual virtue of a sacrament is like light; although it passes among the impure, it is not polluted.
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Unless you work for '60 Minutes', your life is: You do stories about things, and nothing happens as a result.
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My husband and I have season tickets to the Giants games, and we go there as fans to enjoy it.
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We don't grow older, we grow riper.
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I was very close to my mother, and her death, which left a gaping hole in my life, has been very difficult for me and my father in a lot of ways.
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Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published.
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I just try to get away with as much as I can. I don't think that's very radical in the art world.
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I now possess the tools as a producer and a songwriter to really just go out and make smashes all day long. I could make an album full of smash records that got pop appeal. But my heart is in hip-hop. My heart is in telling stories. And it's like therapy for me.
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I strive to be brief, and I become obscure.
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My marks were always bad, and I was a bad influence on other children, so they would explain to my mother that they could retain me only by being partial towards me, and so I should offer to leave the school myself. I would barely get 40-50% and was also extremely naughty.
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The real problem with the art world is not the money men scavenging in its wake - they've always been there - but the pirates who've taken over the ship. I am thinking, of course, of that awful art world species: the curator.
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I've been on sets my whole life.
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Love is a simple thing and a deep thing: it is an act of life and not an illusion. Art is an illusion.
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To win in Australia, for me, has to be the ultimate success because the Aussies live for sport.
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Some people’s lives seem to flow in a narrative; mine had many stops and starts. That’s what trauma does. It interrupts the plot. . . . It just happens, and then life goes on. No one prepares you for it.
