Chad Harbach Quotes
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There are three stages: Thoughtless being. Thought. Return to thoughtless being.
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The novel has always been the form that incorporates other forms. For me, it has always been the ultimate medium.
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I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek; a lot of short story writers, for one thing.
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I sold a book six years after I left an MFA program. In between, there was a lot of endurance of poverty and a lot of fighting off doubt. It's all a part of the process of being or becoming a writer.
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I play American football every Saturday, which I find calming.
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He already knew he could coach. All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story.
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Each of us, deep down, believes that the whole world issues from his own precious body, like images projected from a tiny slide onto an earth-sized screen. And then, deeper down, each of us knows he's wrong.
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You don't have to even see the common man anymore if you don't want to! Only through the telescope on your yacht.
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It was strange the way he loved her; a side long and almost casual love, as if loving her were simply a matter of course, too natural to mention.
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For me, the process always has to be pretty intense. I could never write just two or three days a week. It had to be every day.
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Other things awaited. It was good to be young and to know it for once. So much unfolding to do.
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You are skilled. I exhort you.
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It remained an open question, how much sympathy love could stand.
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There are no whys in a person's life, and very few hows. In the end, in search of useful wisdom, you could only come back to the most hackneyed concepts, like kindness, forbearance, infinite patience. Solomon and Lincoln: This too shall pass. Damn right it will. Or Chekhov: Nothing passes. Equally true.
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I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
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If you're part of any kind of writerly community, some of those people will have gone through MFA programs, and their thinking leaks into yours. So whatever changes MFAs have made to the culture, it's to the culture as a whole. It can't be pinned down to individual books in a way that some people would like to do.
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The challenge for any fiction writer is that your job involves simply sitting at a desk for a very, very long time.
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Baseball is a team game but, at the same time, it's a very lonely game: unlike in soccer or basketball, where players roam around, in baseball everyone has their little plot of the field to tend. When the action comes to you, the spotlight is on you but no one can help you.
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But baseball was different... You stood and waited and tried to still your mind. When your moment came, you had to be ready, because if you f****d up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error, but posted it on the scoreboard for everyone to see? ... You could only try so hard not to try too hard before you were right back around to trying too hard. And trying hard, as everyone told him, was wrong, all wrong.
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A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
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Most great books have been about striving in some sense. In a sense, money is the great topic of the novel. You couldn't necessarily say that about poetry.
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Poetry might be more about the eternal verities, the essence of the human soul, and - although it's reductive to say so - fiction has perhaps been more about the differences between the unconstrained world of the imagination and the realities you run into, day-to-day, when you're riding your donkey.
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I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go.
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There are things you do when you're writing that are so fun to do it's almost like they're private jokes that are amusing to you but no one else is going to enjoy them nearly as much and you worry you're going to have to take them out in the end.