Chad Pennington (James Chadwick Pennington) Quotes
Sometimes I stress too much and don't have fun. If you're trying to be perfect, sometimes it backfires on you.
Quotes to Explore
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To steal a term from one of my Twitter followers, 'Deathlok' is the 'anti-villain.' He's on the side of the bad guys, but he obviously doesn't want to be there.
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That a majority of the Abolitionists in this place would patronize a free labor store, in preference to others, I do not doubt; but we do not muster money in Cincinnati.
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It seems that fighting is a game where everybody is the loser.
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I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.
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Large corporations, of course, are blinded by greed. The laws under which they operate require it - their shareholders would revolt at anything less.
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Water is always a support or a healing thing apart from, you know, love or peace of mind.
Nastassja Kinski -
People think we are such great talkers, but there is so much silence in Ireland about certain issues.
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God is love. I have loved. Therefore, I will go to heaven.
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In the Senate, there is a wide spectrum of views on foreign policy.
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Writing on a computer makes saving what's been written too easy. Pretentious lead sentences are kept, not tossed. Instead of sitting surrounded by crumpled paper, the computerized writer has his mistakes neatly stored in digital memory.
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A kind of racism still exists in the United States, and Islamophobia is a more convenient way to express that sentiment. There has also been an attempt to paint Muslims as enemies of the United States.
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I am always watching old films and trying to fill gaps in my knowledge.
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You've got to do something with all the books you've read, so you might as well imagine you've optioned them.
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I always just wanted to be funny. I never really planned to be scary.
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Acting - you're taking someone else's visions and someone else's inspirations, and it's up to you to portray that to everyone watching the film.
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I was madder than a quadriplegic with a stag full of scratch off tickets, I'll tell you what.
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In the midst of events there is no perspective.
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I now rely on a scanner, which reproduces the passages I want to cite, and then I keep my own comments on those books in a separate file so that I will never confuse the two again.
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As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.
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This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
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I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
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Sometimes I stress too much and don't have fun. If you're trying to be perfect, sometimes it backfires on you.
